Project Detail

Separado!

Synopsis

Separado! Odyssey to a Parallel Universe.

Star Trek meets Buena Vista Social Club in this psychedelic western musical as Welsh pop legend Gruff Rhys (Super Furry Animals) takes us on a pan continental road trip in search of his long lost Patagonian uncle, the poncho wearing guitarist Rene Griffiths.

In 1880, following a controversial horse race that led to an unresolved death, Gruff Rhys' family split as Dafydd Jones took his young family to join the burgeoning Welsh community in Patagonia, South America. There was to be no contact between the families for almost a century when in 1974 Rene Griffiths arrived in Wales with his Latin infused Welsh love songs and became an over night sensation.

Director Dylan Goch follows Gruff Rhys on a tour that takes in the theatres, nightclubs and desert teahouses of Wales, Brazil and the Argentine Andes as he discovers what became of his family, the Welsh Diaspora and its musical legacy.

Details

Year
2010
Type of project
Features
Running time
84 mins
Format
HDCAM
Director
Dylan Goch, Gruff Rhys 1st Feature
Producer
Pauline Burt
Co-Producer
Pauline Burt
Editor
Dylan Goch
Screenwriter
Gruff Rhys
Sound
Soundworks
Composer
Gruff Rhys, Kerrdd Dant, Tony da Gatorra
Principal cast
Gruff Rhys

Production Status

Production Company

ie ie productions ltd

flat 4
22a Castlehaven Rd
Camden
London NW1 8RA
UK

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A young black girl around the age of 10yrs is sat crossed leg, in a big empty space and playing her guitar. There is a whole web of golden glowing music notes floating above her head. The Atlas of Sound

Director: Siobhan Silén

Year: 2027

An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.

A man takes a photo of bench. Purple text says BENCHES and lists the credits of the film Benches

Director: Clare Richards

Year: 2026

A split-screen dome projection is not something you see every day, yet its subject could hardly be more ordinary: public benches, located mainly in Plymouth, on the south coast of England. Whenever Tim Hart spots a new one, he takes a photograph, as he has done for 50 years. Just one photo, no more. “Cause it’s the same bench,” he explains amiably in Clare Richards’s documentary, which fills one half of the projection. On the other half, an orchestra performs Samuel D Loveless’ score, also titled BENCHES. His music follows the rhythm of Hart’s daily life as he walks from bench to bench, photographs them, sometimes sits down for a while, then moves on. And not just benches: Hart also photographs telephone booths, fairs, and more. Neurodivergent composer Loveless discovered the photographic archive of his autistic uncle Tim and was struck by the beauty of the everyday, patiently collected over decades. It gave Loveless an opportunity to celebrate a neurodivergent way of seeing the world, not by explaining it, but by sharing it.

Close-up of white-gloved hands holding a small, weathered bronze Roman artefact with a green patina, captured on grainy 16mm film. A Spirit, a Deity, a Barbarian? Captive in the Subterranean

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.