Project Detail

Shadows From The Sky

Synopsis

A soldier discovers one of the biggest cover-ups in aviation history when he sets out to find the truth about a plane crash that kills all onboard, including his ex-girlfriend.

Details

Year
2011
Type of project
Features
Director
Rupert Wainwright
Producer
Tristan Loraine
Screenwriter
Tristan Loraine, Vivienne Young,
Principal cast
Sean Bean, John Rhys-Davies, Marina Sirtis, Mimi Ferrer

Genre

Categories

Production Status

Production Company

tristan@factnotfictionfilms.com

contact@couragefilms.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A small, cute, orange blob character is sat in a simple flat pink environment, looking at the viewer. Above them is a text box, floating Poob

Director: AJ Jefferies

Year: 2026

POOB is ready to LEARN and have FUN! An exploration into control, detachment and agency in an abusive relationship.

Two young girls sit accross from each other at a table Backwoods

Director: Aminah Alhamdu

Year: 2026

Two estranged friends miss the last bus home after a rave and are forced to stick together to make it home before dawn.

A dog in a crudely made fox costume is sat being fed by a yellow marigold glove on the end of a wooden pole. A Skulk in London

Director: Polina Chizhova, James Stephen Wright

Year: 2018

The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.