Strangeways

Director: Adam Lieber

Year: 2021

The world began with the Big Bang, we are told the walls of Jericho were decimated by trumpets, to music being used as torture or control, to persuade or even calm, to the soundtracks to war and music for revolutions. What is music and sound's relationship to control and power? We have channeled this question through candid conversations with neural networks, by training machines on a collected sonic and visual history of noise, metal and rock music, as well as music that is sacred and spiritual. The project explores ideas around music as a weapon, as a cultural shifter, manipulator, unifier and ultimately, as a force. The result is a non-stop fictional band performing endlessly, 24 hours a day. As the music infinitely changes, unique combinations of sound and visual will never be repeated. We have collaborated with AI music pioneers, Dadabots, combining machine learning, audio-responsive assets & procedural visuals inside VRChat to create a fully immersive real-time interactive environment. We are sonically at the mercy of the machine, as one never knows what will be performed on arrival.

Director: Kevin Walls

Year: 2026

When meticulous, career-obsessed Cameron (James Rottger) discovers his aimless flatmate Eilidh (Elle Watson) is pregnant after their drunken one-night stand, both assume there is an obvious way out. But when Eilidh finds she cannot go through with the termination, the pair are forced into an awkward, absurd and increasingly intimate attempt at preparing for parenthood. As they stumble into something that looks suspiciously like a relationship, they begin to question the lives they thought they wanted and what they really mean to each other.

Director: Nicole Sarah Fry

Year: 2026

In 1860s London, three Greek female artists attend a gallery opening, seeking to impress the Pre-Raphaelite Brotherhood.