Strangeways

Director: Adam Lieber

Year: 2021

The world began with the Big Bang, we are told the walls of Jericho were decimated by trumpets, to music being used as torture or control, to persuade or even calm, to the soundtracks to war and music for revolutions. What is music and sound's relationship to control and power? We have channeled this question through candid conversations with neural networks, by training machines on a collected sonic and visual history of noise, metal and rock music, as well as music that is sacred and spiritual. The project explores ideas around music as a weapon, as a cultural shifter, manipulator, unifier and ultimately, as a force. The result is a non-stop fictional band performing endlessly, 24 hours a day. As the music infinitely changes, unique combinations of sound and visual will never be repeated. We have collaborated with AI music pioneers, Dadabots, combining machine learning, audio-responsive assets & procedural visuals inside VRChat to create a fully immersive real-time interactive environment. We are sonically at the mercy of the machine, as one never knows what will be performed on arrival.

Director: Beatrice Gibson

Year: 2026

After an abortion, a woman wanders the streets of Paris, engaging in a series of silent encounters under the neon lights of Chinatown. Taking place over the course of a single night and drawing inspiration from the writings of cult literary figures Kathy Acker, Bernadette Mayer, and Alice Notley, the film intertwines dream and reality. Shot in the reddish glow of karaoke bars, cinemas, and clubs - a collective, feminist autofiction with a cast of artists, poets, and actors.

Director: David Turpin

Year:

A love story, a noir mystery and a metaphysical fable, Ancestors follows Beau as he searches 1980s London for his missing friend, Tiny. Dream, reality, memory and history entwine, forcing Beau to come face-to-face with truths beyond life and death.