Project Detail

Streets of Change VR

Streets of Change VR

Synopsis

STREETS OF CHANGE VR is a powerful virtual reality experience that brings to light the often-overlooked realities of street homelessness, challenging the stigma and stereotypes through storytelling.
Rooted in real lived experiences, the film humanises rough sleepers through three intimate character stories, revealing their resilience and the harsh truths of life on the streets. Through hyper-realism, spoken word poetry, and immersive storytelling, STREETS OF CHANGE VR explores a narrative of poverty, addiction, and mental health with honesty and emotional depth.
By placing viewers in the shoes of those experiencing homelessness, STREETS OF CHANGE VR aims to foster empathy, break down prejudice, and invites urgent conversations about inequality.
STREETS OF CHANGE VR is a call to action amid a growing global homelessness crisis.

Details

Year
2024
Type of project
XR / Immersive
Running time
10 min
Format
VR
Director
Judi Alston; Andy Campbell
Producer
Judi Alston
Sound
Alex Rushfirth; Quinton Green
Principal cast
Louise Porter; Elliot Hardman; Andy Campbell
Other Lead Creative(s)
Lead Developer: Andy Campbell
3D Architect
Gauri Rajeev
3D Model Artist
Tiara Ashworth
Graphic Design/illustration
Evie Godfrey
Audio Dub
Dean Hinchliffe

Production Status

Production Company

One to One Development Trust

Judi Alston
Studio M3
The Art House
Drury Lane
Wakefield
WF1 2TE

Sales Company

One to One Development Trust

Judi Alston
Studio M3
The Art House
Drury Lane
Wakefield
WF1 2TE

Page updates

This page was last updated on 15th July 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

No Women No Children No Women No Children

Director: Akporé Uzoh

Year: 2026

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

Spacewoman Spacewoman

Director: Hannah Berryman

Year: 2024

A landmark feature documentary about astronaut Eileen Collins, the first woman to pilot and command the Space Shuttle. Eileen’s incredible journey starts with her smalltown beginnings, sees her smash through many glass ceilings, and culminates in four dramatic space shuttle missions, the last being possibly the most dangerous and most important of them all. At its heart the film is the moving human drama of one family, where a mother’s extraordinary career takes us straight to the big philosophical question of what is the level of acceptable risk in human endeavour? This film celebrates Commander Collins’ trailblazing NASA career which opened the way for women to become spacecraft pilots and commanders, and proved a perfect riposte to a previous generation of male astronauts who thought there was no place for women to lead the way in space. Official Selection DOC NYC 2024 - World premiere Official Selection CPH:DOX 2025 - European premiere

A hand holding a lit taper candle lights a larger pillar candle placed on a metal candle holder, with a dark blurred background. Modupe

Director: Evan Ifekoya

Year: 2025

MODUPE is an experimental documentary that unfolds as a ceremony of queer belonging, inheritance, and sound. At its heart is a dialogue with Afro-Cuban priestess and musician Amelia Pedroso, whose legacy is invoked through archival traces, letters, and performance. Narrated as a letter to an ancestor, the film situates the search for connection within an interior, oceanic dreamscape where water, memory, and ritual become both setting and subject. Cinematically, MODUPE moves between a stylised ensemble rehearsal and a sacred library-archive. The ensemble of voice, drum, and dance provides the film’s pulse, collapsing rehearsal and ritual into one. Deep blue light, reflective surfaces, and submerged imagery create a sensorial architecture that is both intimate and expansive, with water presence throughout evoking both flood and transformation. Formally, the film resists linear storytelling, privileging atmosphere, rhythm, and sonic immersion. Objects, archives, and sacred materials hold the same cinematic weight as bodies in performance, reframing the archive as altar and sound as shrine. Narrative unfolds through resonance rather than resolution, drawing the viewer into a space of listening and reflection. MODUPE proposes cinema as a vessel for inheritance, where identity is fluid, memory is alive and liberation is lived through sound.