Tattoo

Director: Bunny Dexter

Year: 2001

Agricultural Terrorism. Bad news from the rain forest for chocolate addicts. Witches' Broom, Crinipellis perniciosa, the incurable fungal disease that leaves dying cocoa plants looking like a witch's broom, spread by persons unknown for reasons unknown, perhaps a grudge or wish for revenge, has decimated the groves of Bahia, Brazil. Evidence suggests there has been deliberate agricultural sabotage. Brazil, formerly one of the largest exporters of cocoa, no longer has any cocoa to spare. But there is hope. Scientists may have found a solution to the incurable disease, witches' broom. They have discovered a method of grafting and cloning resistant trees. This means diseased groves can be gradually replaced. But is it too late?

Director: Sonia Guggenheim

Year: 2026

Loyal butler Jonathan is sent to rescue the failing Blueberry Inn, unaware his blinkered Lord plots to leave it to him and three chaotic staff as a social experiment. When the Lord dies suddenly, Jonathan discovers he's a co-owner of the Inn and has just one month to save it. Battling sabotage from furious heirs, the mismatched team (and a pig!) rally their communities, securing the Inn's future against all odds.

Director: Rabie Mustapha

Year: 2026

In this participatory documentary, filmmaker Rabie Mustapha works with a group of children living in Northern Ireland to tell stories about their family life and cultural backgrounds. Despite the children’s globalised nature, they manage to bring in an insight to specific cultural journeys from Al-Nuba, Halab and the Northern Irish countryside. We see Maya, an inquisitive 9 year old girl whose hobby is to deliver shocking facts within a deadpan and to ask deep philosophical questions. Through an interview with her mom we learn about her Nubian heritage and a long history of generations displacement. Mahmoud and Khalid on the other hand are more calm and observant. Through their filmmaking journey we learn about their Syrian and Turkman heritage. With Mila we see the countryside of Limavady and learn about a more relaxed way of living where children are more connected to nature and where the girl’s artistic abilities are developing. Through this pluralistic film Northern Ireland is portrayed as a changing place with more than one face.