Project Detail

Tell Spring Not to Come This Year

Synopsis

Tell Spring Not to Come This Year follows one unit of the Afghan National Army (ANA) over the course of their first year of deployment in Helmand without NATO support. It is an intimate film about the human side of combat, told from a largely unheard and misrepresented perspective, that explores the deep personal motivations, desires and struggles of a band of fighting men on the frontline. Without a NATO soldier in sight, and no narrative but their own, this is the war in Afghanistan, through the eyes of the Afghans who live it.
Berlin International Film Festival 2015 - World premiere

Details

Year
2015
Type of project
Features
Running time
87 mins
Director
Saeed Taji Farouky, Michael McEvoy
Producer
Saeed Taji Farouky, Elizabeth C. Jones, Michael McEvoy
Executive Producer
Andre Singer, Scott Brown, Robert Elliott, David Kennedy, Nick Quested
Editor
Gareth Keogh
Director of Photography
Saeed Taji Farouky
Composer
Joe Lewis

Categories

Production Status

Production Company

UK, Afghanistan coproduction

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Keeley Moss, left-field investigator and musician, in Stranraer Ferry Port, the last place Inga Maria Hauser was safe She Sings of Murder and Love

Director: Virginia Heath

Year: 2027

She Sings of Murder and Love is an anti-true-crime documentary, told as a musical through a feminist lens, a story like no other. An anti-true-crime documentary, told as a musical, an unapologetically feminist, cinematic portrayal of Irish singer-song writer, Keeley Moss. Every song Keeley writes and performs celebrates the life of, and demands justice for, Inga Maria Hauser, a young German backpacker, sexually assaulted and murdered in Northern Ireland in 1988. As the facts of Inga Maria's case migrate from Keeley's meticulous campaigning blog into her songs, the Director ‘investigates the investigator’. Capturing Keeley's fever dream of Inga Maria’s intense week of adolescent freedom, before she became a 'murder victim', we discover the unexpected, profound gifts that Inga Maria has rewarded Keeley's dedication with.

3 puppet heads on sticks with a blurred background of scissors, paint palette Not Punch and Judy: The Chronicle and Story of an Experiment in Emergent Practice

Director: Julia Fry

Year:

Using ideas from Carl Jung - exploring and accepting the inner world, Carolyn Abbate - analysis of dissonance to find the narrative voice - and Hilde Lindemann Nelson - using narrative to repair damaged identity, I filmed my process of creating puppets and recorded some of the thoughts that arose as I made them. I utilised emergent practice in the filmmaking, which meant letting go of preconceived ideas to let narrative arise in the moment. I wanted my puppets to unite, rather than fight in the traditional Punch and Judy manner.

Martine Rose, in a white curly wig and beaded dress, sits at a dimly lit table with a glass of wine. Rose's House

Director: Naomi Abel-Hirsch

Year: 2026

In 1979, when there was almost no support for trans lives, Martine Rose renovated a rundown terrace in Sheffield, UK, and opened it to anyone who needed it. Through previously unseen archive and Martine's own account, ROSE'S HOUSE uncovers a largely forgotten chapter of queer history, moving between past and present to trace what she built, and what remains. Official Selection Sheffield DocFest - World Premiere