Tempesta

Director: Paul Tickell

Year: 2001

Christie Malry is a simple man. He lives with his mother and works in a bank. He discovers the principles of Double Entry Book-Keeping, for every Debit there must be a Credit, and the picture becomes clear: Debit Christie for offence received, Credit society for offence given. Christie opens his account with society and the reckoning begins, all accounts to be settled in full. His mother dies, he gets a girlfriend, the future looks bright. He starts to make the books balance with seemingly trivial acts of vandalism, but the clearer Christie sees the more he is owed and his actions escalate and all the while he remains in the eyes of the world a lowly clerk. Christie Malry is unstoppable but is brought to book in the end with bitter irony. With Christie's discovery of Double Entry we are thrown back in time to 15th century Italy and the inventor of modern accounting, a Dominican priest Fra Luca Pacioli. The past and present interweave. This is a black comedy, a fable for our time. Christie is the logical conclusion of a society devoted to money and its acquistion at all costs.

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.