The Apology Line
Synopsis
Details
- Year
- 2009
- Type of project
- Shorts
- Running time
- 10 mins
- Format
- HD Cam
- Director
-
James Lees
- Producer
- Dan Lawson
- Co-Producer
- Dan Lawson
- Editor
- Tony Norton
- Screenwriter
- James Lees, William Bridges
- Director of Photography
- Mattias Nyberg
- Sound
- Craig Butters
Categories
Production Status
Production Company
The Hobo Film Company
54 Leicester Road, UppinghamRutland LE15 9SD
UK
T +44 (0)15 7282 3123
M +44 (0)7799 115 959james@thehobofilmcompany.com
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
(In)Visible
Director: Sam Joseph
Year: 2025
(IN)VISIBLE explores the psychological effects of domestic abuse and society’s complicity in trial and judgement. A young wife, abused by her older husband, is misread as cold and detached while he charms his friends. When he suddenly leaves during a very awkward and tense pre-dinner gathering against the backdrop of a symbolic art exhibition, she finds herself at the centre of an uncomfortable, damning trial by those who only know his version of the story. The trial unfolds around a contemporary table setting, echoing iconic scenes from art history, showing the historical repeated patterns of how women are seen, silenced, and judged. The film’s emotional power lies in what remains unsaid, and it reveals the insidious nature of domestic abuse and the ease with which a perpetrator can shape a victim's story; in this narrative, the wife endures a hostile societal trial and judgment with strength, dignity and resilience.
Kibera Hustle
Director: Janet Wells
Year: 2026
When his estranged half-brother is kidnapped in Kibera, a hapless British outsider plunges into Nairobi’s largest slum. Out of his depth and desperate, Steve teams up with Mshai, a streetwise hustler with plans of her own. As double-crosses mount and loyalties shift, Steve must decide whether he’s come to save his brother — or himself.