The Arrival

Director: Aoife McArdle

Year: 2027

In a starving, flooded England, a foxfinder arrives at a failing farm to hunt down the "foxes" blamed for the devastation. As he investigates, his certainty begins to crumble and suspicion turns inward.

Director: Matt Green

Year: 2026

Darla arrives home early hoping to surprise her fiancé Richard; only to catch him butt-naked, clad in a VR headset, with a fleshlight pumping on his crotch, making sweet digital-love to whoever is on the receiving end of the virtual exchange. Distraught, embarrassed and heartbroken; their perfect life begins to crumble when Darla discovers that the recipient of the internet-affair turns out to be an AI anthropomorphic cat avatar in a 3-D sex-dungeon! In the midst of this very precarious and relationship-defining situation (and just when you thought it couldn’t get any worse); Darla’s overbearing parents arrive at the apartment…. to talk about the wedding. Cue a series of increasingly awkward events, as Richard and Darla try to keep up appearances, hashing it out behind the scenes, as the shame and secrets threaten to spill over to the in-laws; culminating in a first dance you’ll never forget and an interesting choice in hand cream.

Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson

Year: 2026

In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere