The Best Man
Synopsis
Olly is a gifted writer - in fact a publisher has given him a healthy advance. Unfortunately he has also been struck with writer's block and frittered away said advance.
Then, out of the blue, James, Olly's best friend from university whom he has not seen for five years, gets in touch. James is getting married and he wants Olly to be his Best Man. Olly is immediately terrified about how he is going to write a speech when his writer's block is so extreme. His fears are briefly pushed aside at the engagement party when he meets the girl of his dreams - until James introduces her to Olly as Sarah, his bride to be!
Murray, Olly's best friend, can see only one course of action - Olly must break up the happy couple and make Sarah his own. However, Olly opts for plan 'b' - to simply avoid Sarah at all costs. But this is not as easy as it seems, especially with Murray working behind the scenes.
When Sarah unexpectedly calls off the wedding James begs Olly for his help. Olly is torn between his moral duty and his love for Sarah. He decides to come to his assistance and offers to help James write a letter expressing his feelings for Sarah. On reading Olly's words Sarah is smitten with James once more, but by now Olly has realised that James is not the man he thought he was.
Can Olly prevent Sarah marrying the wrong man?
Details
- Year
- 2005
- Type of project
- Features
- Running time
- tbc
- Format
- 35mm
- Director
-
Stefan Schwartz
- Producer
- Justin Smith, Ildiko Kemeny
- Co-Producer
- Justin Smith, Ildiko Kemeny
- Editor
- Alan Strachan
- Screenwriter
- Ed Roe, Stefan Schwartz
- Director of Photography
- Haris Zambarloukos
- Sound
- Jim Greenhorn
- Principal cast
- Stuart Townsend, Amy Smart, Seth Green
Categories
Production Status
Production Company
Sure Fire Films
Sales Company
The Works
4 Great Portland StreetPortland House
London W1W 8QJ
UK
T+44 (0)20 7612 1080
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Abduction Club
Director: Stefan Schwartz
Year: 2001
Ireland, 1780. The eldest sons of wealthy families stand to inherit everything, and with this comes the pick of the attractive society brides. But the younger brothers get nothing. So a group of these financially challenged gents come together to form The Abduction Club their plan: take attractive, wealthy girls captive for one night and persuade them to marry. Saddled up, wearing masks, they set off to abduct their would-be brides from under their fathers' noses. But what happens when their intendeds do not succumb to their impoverished proposals? Maybe its time to take off the masks and turn on the charm!
In my Beginning Is My End
Director: Ben O'Connor
Year: 2026
Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.
Yellow Bucket
Director: Simon Brooke
Year: 2025
Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.