The Break-In

Director: John Stewart

Year: 2000

Jenny Adams, an immature young woman, hidden away from the world by her protective psychiatrist father, Dr Madsen Adams, is plagued by nightmares and visions. Some of these suggest that, as a child, she brutally killed her mother. At the time of her mother's death, the family lived in the grounds of the asylum which Dr Adams ran and it was assumed, although never proved, that one of the inmates was the killer. Without her father's knowledge, Jenny enlists the help of William, a disturbed young man in Dr Adams' care, to help her to return to the now abandoned asylum to try to solve the mystery. Once there she finds several former inmates, including a priest, Father Matthew, a medium Isobella, and a drug addict, Neville, sharing both her visions and the sudden, irresistible desire to return to the asylum. When people again begin to die and Jenny is trapped within the decaying hulk of the asylum with her terrifying memories, she realises that she is in danger of losing both her sanity and her life. Review from Edinburgh Film UK catalogue 2000 Boasting a cast that unites the queen of Hammer Horror with the saucy joker from the Confessions... films, The Asylum looks ripe for cult success. Directed by John Stewart, whose short films The Break-In and Crash won many fans on the international festival circuit, The Asylum is a psychological thriller about a woman (Stephanie Pitt) tormented by the suspicion that, as a child, she killed her own mother. Teaming up with an unstable young man (Nick Waring), she returns to the mental hospital where her unbalanced father (Patrick Mower) used to practice. There she meets former inmates (Hammer queen Ingrid Pitt and Robin Askwith from the Confessions... films) and events take a murderous turn when they become trapped inside the asylum. "The film is more of a thriller than a horror film," says producer Carol Lemon, who set up Nunhead Films with John Stewart to make genre films. "Casting Ingrid Pitt was not a cynical move: we thought about who would fit the part and asked them. Some said no, some said yes and she said yes. Then we met her daughter who we knew immediately would be perfect for the lead role." When original financing failed to materialise, Lemon and Stewart raised the budget through the Enterprise Investment Scheme. The film premiered in June at the Fantafestival in Rome, where, says Lemon, it was enthusiastically received. She now is fielding offers from three US-based sales companies for international rights. In the meantime, Stewart is working on the company's next project. Also starring Ingrid Pitt, The Block is about a woman who moves into an apartment block and discovers that the neighbours are up to something sinister.

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.