Project Detail

The Bubonic Play

Synopsis

A unique comedy in which three idiots attempt to stage an epic. The Bubonic Play is the story of a maid, her master and a wandering minstrel caught in a tragic love triangle. It follows their journey across the plague-ravaged English Countryside in search of a cure for the disease. Lord George of Ponsonby is in love with his young maid Mathilde. She discovers a handsome minstrel bathing in the river and they run off together. Enraged, George vows revenge and sets off to intercept them. The story survives all assaults from the actors' need to be the audience's favourite. Love, songs, magical potions, deception, knife-fights, stampeding rats, Punch and Judy all feature before the play's dramatic climax. They die. All of them. One by one.

Details

Year
2012
Type of project
Features
Running time
70 mins
Format
HiDef
Director
Cal McCrystal 1st Feature
Producer
Cal McCrystal
Co-Producer
Cal McCrystal
Executive Producer
Adrian Sturges
Editor
Murray Buesst
Screenwriter
Piggy Nero, Cal McCrystal
Director of Photography
Murray Buesst
Production Designer
Maria Guirao
Sound
Rob Saunders, Chris Tooth
Composer
Toby Jarvis
Principal cast
Mat Baynton, Jamie Glassman, Clare Thomson

Categories

Production Status

Production Company

Piggy Nero

95a Durlston Road
London
E5 8RP
UK
Tel: +44 (0)20 8815 4612

Sales Company

Piggy Nero

95a Durlston Road
London
E5 8RP
UK
Tel: +44 (0)20 8815 4612

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Bandit Michele Di Gè, as an old man reflecting on his outlaw life. Diary of a Bandit (Diario di un brigante)

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Man wearing shirt exhausted on a blue coloured lounger, in a warm country. Sun umbrellas, pool and palm trees out of focus in the background. The sunlight hits him from the left-hand side. Your Sweet Home

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.

Woman leans against an opaque panelled door. Split Ends

Director: Grace Cassidy, Laura Hafes

Year: 2025

Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026