Project Detail

The Canaries Experience

The Canaries Experience

Synopsis

The Canaries’ Experience Genre: Mixed Reality / Magical Realism / Emotional Drama Format: Immersive VR Film Synopsis: In a world where silence can be fatal, The Canaries’ Experience invites viewers into a deeply emotional and symbolic journey through the mind of Will, a young man silently battling despair. Guided by a mystical canary—an ancient symbol of safety in coal mines—viewers traverse a surreal landscape that blends memory, emotion, and myth. As Will’s inner world unravels, the canary’s song becomes a lifeline—its presence a sign of hope, its silence a chilling warning. Through immersive soundscapes, binaural audio, and haptic feedback, the audience experiences Will’s emotional highs and lows: from the suffocating silence of isolation to the transcendent transformation of the God Canary, a divine guide born from pain and resilience. Blending magical realism with therapeutic design, this VR experience is not just a story—it’s a meditation on vulnerability, connection, and the power of being heard. In the end, the canaries rise—not just as symbols of survival, but as beacons of collective healing.

Details

Year
2025
Type of project
XR / Immersive
Running time
20 min
Format
Immersive VR mixed reality film / Game
Director
Salma Shalaby
Producer
Salma Shalaby
Co-Producer
Pooja Saini
Executive Producer
Salma Shalaby
Screenwriter
Salma Shalaby
Director of Photography
Salma Shalaby
Principal cast
Sio Wynne, Steven Stroud, Dr Emma Roberts, Sunny Blainey, Harriet Morley, Ashline George
Other Lead Creative(s)
Liverpool John Moores University Suicide and Self Harm Research Group, James Place
Assistant Producer
Ashline George
Lead Supervisor
Professor Pooja Saini
Co-Supervisors
Dr Oladayo Bifarian, Dr Ryan Ward
Composer and Audio Programmer
Christophe Péreuil
3D Asset Designer
Boby Ichev
Developers and Programmers
Charitha Liyanaarachchilage, Lead Technical Developer; Owen Monaghan, UI System Developer; Rinku Sara Chacko, UI and C++ Programmer; Max Spencer Hughes, UI Coder and Audio Programmer/ Developer
Game Developer
Sebastian Purves
Acknowledgments
Kira Ann Lonergan, Developer; James Traynor, Technician; Niall Mcann, Advisor; Sarah Haynes and Camilla Affleck, LJMU Screen School; Hisham Nazih, For permission to use his compositions 'Diamond Dust' and 'Constellations'; Allie Esiri, For permission to use 'The Guest House' by Rumi from her anthologies 'A Poem for Every Autumn Day' and '365 Poems for Life', read by Helena Bonham Carter

Production Status

Page updates

This page was last updated on 1st December 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A Distant Call A Distant Call

Director: Andrea Suwito

Year: 2026

In the ancient Bugis way of life in Indonesia, gender non-binary ‘bissu’ were once revered spiritual leaders. Eka, one of the last remaining bissu, decides to leave behind their identity, searching for belonging in a world that insists on definitions.

Solstice on Grímsey Island Nation

Director: Nikolai Galitzine

Year: 2026

When a church burns down in a storm, a remote arctic community come together to preserve their identity as they face an uncertain future.

A reality TV presenter speaks to the camera, looking directly into the lens. Tops

Director: Ames Pennington

Year: 2024

A fun pastiche of chaotic, brash, self-deprecating and clueless 1990s/2000s British reality TV, TOPS sees self-proclaimed future award-winning filmmaker Ames Pennington present their landmark faux-documentary. Casting themselves as an invasive TV presenter, Ames goes on a satirical odyssey through the lives and homes of four unique individuals, exploring the crucial question that defines the transmasc experience: “What TOP did you want to wear after TOP surgery?” Official Selection BFI Flare: London LGBTQIA+ Film Festival 2024 - World premiere Official Selection Kashish Pride Film Festival 2024 - International premiere