Project Detail

The Canaries Experience

The Canaries Experience

Synopsis

The Canaries’ Experience Genre: Mixed Reality / Magical Realism / Emotional Drama Format: Immersive VR Film Synopsis: In a world where silence can be fatal, The Canaries’ Experience invites viewers into a deeply emotional and symbolic journey through the mind of Will, a young man silently battling despair. Guided by a mystical canary—an ancient symbol of safety in coal mines—viewers traverse a surreal landscape that blends memory, emotion, and myth. As Will’s inner world unravels, the canary’s song becomes a lifeline—its presence a sign of hope, its silence a chilling warning. Through immersive soundscapes, binaural audio, and haptic feedback, the audience experiences Will’s emotional highs and lows: from the suffocating silence of isolation to the transcendent transformation of the God Canary, a divine guide born from pain and resilience. Blending magical realism with therapeutic design, this VR experience is not just a story—it’s a meditation on vulnerability, connection, and the power of being heard. In the end, the canaries rise—not just as symbols of survival, but as beacons of collective healing.

Details

Year
2025
Type of project
XR / Immersive
Running time
20 min
Format
Immersive VR mixed reality film / Game
Director
Salma Shalaby
Producer
Salma Shalaby
Co-Producer
Pooja Saini
Executive Producer
Salma Shalaby
Screenwriter
Salma Shalaby
Director of Photography
Salma Shalaby
Principal cast
Sio Wynne, Steven Stroud, Dr Emma Roberts, Sunny Blainey, Harriet Morley, Ashline George
Other Lead Creative(s)
Liverpool John Moores University Suicide and Self Harm Research Group, James Place
Assistant Producer
Ashline George
Lead Supervisor
Professor Pooja Saini
Co-Supervisors
Dr Oladayo Bifarian, Dr Ryan Ward
Composer and Audio Programmer
Christophe Péreuil
3D Asset Designer
Boby Ichev
Developers and Programmers
Charitha Liyanaarachchilage, Lead Technical Developer; Owen Monaghan, UI System Developer; Rinku Sara Chacko, UI and C++ Programmer; Max Spencer Hughes, UI Coder and Audio Programmer/ Developer
Game Developer
Sebastian Purves
Acknowledgments
Kira Ann Lonergan, Developer; James Traynor, Technician; Niall Mcann, Advisor; Sarah Haynes and Camilla Affleck, LJMU Screen School; Hisham Nazih, For permission to use his compositions 'Diamond Dust' and 'Constellations'; Allie Esiri, For permission to use 'The Guest House' by Rumi from her anthologies 'A Poem for Every Autumn Day' and '365 Poems for Life', read by Helena Bonham Carter

Production Status

Page updates

This page was last updated on 1st December 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

a fish passing between two pairs of hands the thought of the innermost being

Director: Jack Jeffreys

Year: 2026

Fish are nightly invaders of my sleep. Work consumes my dreams. Night gives way to another commute; adverts appear before me, their faces drawn tight. The day passes again, and at night, within the walls of my workplace, a fishmonger’s in London, dreams appear again, this time, a grief-stricken reverie, memories of my father. The film's title is inspired by Maurice Blanchot’s ‘The Book to Come’ which incited my exploration of whether images can capture anything sacred in a world of dispossession. A diaristic, psychogeographic journey through a city that metastasises uncontrollably before me, the film captures a form of alienation that supersedes and confounds the trajectory of grief. What is lost when all becomes gloss? Official Selection BFI London Film Festival 2026

Children playing in Gaza. Joy of Joys

Director: Jonathan Glazer

Year: 2026

JOY OF JOYS is a short documentary about the recording sessions for War Child Records' HELP(2) at Abbey Road Studios, directed by Jonathan Glazer and devised by Mica Levi and Glazer. Children in London film themselves and the musicians, including Olivia Rodrigo, Arctic Monkeys, Damon Albarn, Cameron Winter, Fontaines DC and Pulp. While children in Gaza Ukraine, Sudan and Yemen film themselves and their surroundings. The documentary interweaves these layers across continents and backgrounds to show a universal innocence and the joy of childhood itself. Glazer and Levi describe the film as being “by children, for children”. Official Selection BFI London Film Festival 2026

MaeBee - The Camping Trap MaeBee - The Camping Trap

Director: Tim O'Sullivan, Craig Knowles

Year: 2026

Mae and Bee try to reunite their parents during their annual family camping trip. Official Selection BFI London Film Festival 2026