The Crossmaker
Synopsis
Details
- Year
- 2010
- Type of project
- Shorts
- Format
- 35mm
- Director
-
David Anderson
- Producer
- The London Film School
- Co-Producer
- The London Film School
- Screenwriter
- David Anderson
- Director of Photography
- Jeroen Bogaert
- Principal cast
- Branko Tomovic, Noa Bodner, Will Stranger, Christopher Sciueref
Genre
Categories
Production Status
Production Company
The London Film School
24 Shelton StreetLondon WC2H 9UB
UK
T +44 (0)20 7836 9642
www.lfs.org.uk
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Reflection
Director: David Anderson
Year: 2021
In a riverside café in Kent, a stranger cuts an odd figure. The cheerful but exhausted waitress Anne-Marie is barely holding it together when Freddie, her teenage son arrives suspiciously. The mystery deepens when the stranger seems to knows more about Anne-Marie and Freddie than anyone should know.
Director: David Anderson
Year: 2003
Take one glamorous and ageing dancer. Trap her in the real world then smash into her private reality. Control her movement, contain her emotion. Well you can try but she has already beaten you to it. With hypersound and supersmart awareness submit to this bizarre journey of entrapment.
Galicia!
Director: Anna Maguire, Kyle Greenberg
Year: 2026
What if you went on a holiday and the apocalypse happened? GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days. We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.