Project Detail

The Door

Synopsis

Haunted by the childhood memory of a door in a wall, Thomas Arlington, now in his sixties, wants to go back.

Details

Year
2011
Type of film
Shorts
Running time
21 mins
Format
HD
Director
Andrew Steggall
Producer
Andrew Steggall, Ashley Cowan, Daisy Lewis
Executive Producer
Sally Baring, Georgia Oetker, Peter Rushton
Editor
Charlie Harvey
Screenwriter
Andrew Steggall
Director of Photography
Brian Fawcett
Production Designer
Sarah Bacon
Sound
Tom Drew
Music
Jools Scott
Principal cast
Charles Dance, Harriet Walter, Tobias Menzies, Dudley Sutton, Elliot Cowan

Genre

Categories

Production Status

Production Company

Motion Group Pictures

293 Westbourne Park Road
London
W11 1EE
UK

Sales Company

Motion Group Pictures

293 Westbourne Park Road
London
W11 1EE
UK

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Departure Departure

Director: Andrew Steggall

Year: 2015

An English family prepare the sale of their holiday home in the South of France. Over one week, the teenage son, Elliot, wrestles with his burgeoning sexuality while his mother, Beatrice, confronts the end of her marriage to his father, who harbours a secret of his own. When an enigmatic local boy quietly enters their lives, mother and son are led to confront each other and their awakening desires. <br /> Touched by myth and landscape, 'Departure' narrates the story of the end of a marriage, the end of childhood and the end of an otherwise nuclear middle class family.<br /> Dinard Festival of British Films 2015 - World premiere

The Red Bike The Red Bike

Director: Andrew Steggall

Year: 2011

Although he can't ride, building a bike for someone else is 15-year-old Mikey's way of coping with life.

To the Marriage of True Minds To the Marriage of True Minds

Director: Andrew Steggall

Year: 2011

Hayder and Falah, two young Iraqi men, seek asylum in London from Baghdad. The two men buy illegal passage onto a cargo vessel, enduring a storm-tossed journey in the dim confines of a shipping container. Uncertain how long their voyage will last, or if they will be turned away upon arrival, they count the days by the light through a star-like hole in the ceiling. Falah, a writer, comforts Hayder with lines from Shakespearean love sonnets, whispered in Arabic, as they await an unknown reception. <br /> <br /> Their entry into England is heralded by the growling of security dogs at the walls of their container, and the two lovers become separated. We follow Hayder through the scrutiny of immigration to his frantic search for Falah in the Arabic communities of West London. Ultimately, as he finds himself bereft in an indifferent city, Hayder must trust that the poetry of their love will lead him, once again, to Falah.