The Ladykiller

Director: Tim Fywell

Year: 2009

Set in and around the women’s prison at Millbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London’s most notorious gaols. Surrounded by prisoners, murderers and common thieves, Margaret feels herself drawn to one of the prison's more unlikely inmates – the imprisoned spiritualist Selina Dawes who weaves an enigmatic spell. Is she a fraud, or a prodigy? Sympathetic to the plight of the innocent-seeming Selina, Margaret sees herself dispensing guidance and perhaps friendship on her visits, little expecting to find herself dabbling in a twilight world of séances, shadows, unruly spirits and unseemly passions. By the time it all begins to matter the viewer will find themselves desperately wanting to believe in the magic.

Director: Tim Fywell

Year: 2003

I Capture The Castle is a classically romantic tale of a young girl's emotional journey into adulthood, as she discovers the secrets of her own feelings and sexuality. Along the way she must encounter the trials and tribulations that life throws at her - many of which are hilarious, some of which may prompt a tear. Set against the stunning backdrop of awe-inspiring castles, dramatic landscapes and glamorous 1930's London; this is a film that will charm and delight.<br /> <br /> Based on the novel by the best selling author Dodie Smith (One Hundred And One Dalmations). Produced by the Oscar* winning David Parfitt, (Gangs Of New York, Shakespeare In Love*, Wings Of The Dove, The Madness Of King George, Much Ado About Nothing) Directed By Tim Fywell (The Woman In White, North Square, Madam Bovary) with acclaimed Oscar* nominated cinematographer Richard Greatrex (A Knights Tale, Shakespeare In Love*, Mrs Brown).

Director: Tim Fywell

Year: 1998

Normally, people who are dead stay dead, just as normally it is the criminals who are locked up rather than the victims. But then there was nothing normal about what happened to Marian Fairlie and her sister Laura. Except perhaps the beginning, and the arrival of a new drawing master, Mr Hartright.<br /> <br /> <br /> <br /> <br /> <br /> Mr Hartright brings with him the tale of a mysterious encounter on the road with a ghostly figure: a woman dressed all in white. Great fans of Gothic tales, Laura and Marian are intrigued by this. When they spy this same woman themselves, wandering in the grounds of their home, Limmeridge House, late at night, they determine to find out all they can about her. But before much is learned, their idyllic summer is cut short by their friend Mr Hartright being forced to leave them in disgrace, and Laura's marriage to Sir Percival Clyde removing them from their home to the distant Blackwater Park.<br /> <br /> <br /> <br /> <br /> <br /> Once there, the unhappy story of the woman in white unfolds, drawing the women into a vortex of secrets, crime and passion - and into a treacherous involvement with the fascinating but sinister Count Fosco.