The Last Cowboy in Salford
Synopsis
Official Selection Clermont-Ferrand Short Film International Film Festival 2024 - International Competition
Details
- Year
- 2023
- Type of project
- Shorts
- Running time
- 14 min 45 sec
- Format
- Digital
- Director
-
Jakob Lancaster
- Producer
- Pilar Cartro Benavides, Alastair Hope-Morley
- Executive Producer
- Matthew Greenburgh, Andrew Macdonald, Neil Blair, Nick Sadler, Kirsty Bell, Emilie Georges, Naima Abed
- Editor
- Josh Mallalieu
- Screenwriter
- Jakob Lancaster
- Director of Photography
- Joshua Hughues
- Production Designer
- Jessica Wretlind
- Sound
- Liam Gilchrist
- Composer
- Will White
- Principal cast
- Charlie Woolley, Barney White, Ray Nicholas, Craig Karpel, Anna Darvas
- Costume Designer
- Christina Campagna
Categories
Production Status
Production Company
Supported by BFI NETWORK
Pili Mili Films
32 Mellor StreetPrestwich
Greater Manchester
M25 3HT
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Lost Princess of Hackney
Director: Fenton Dyer
Year: 2026
A self-proclaimed Elvish Princess finds herself stranded on our world in the Hackney Marshes. Without any magic to return home, she searches for purpose but develops an unlikely friendship with a sceptical student filmmaker.
Stop the boats
Director: Aneel Ahmad
Year: 2027
Overwhelmed by grief and anger, a distraught parent arrives at a mosque with a makeshift firebomb, intent on seeking revenge against those believed to be responsible. But as they confront the imam outside the mosque, an unexpected conversation challenges the hatred and begins to unravel the lies fed.
The Weir
Director: Conor McPherson
Year: 2026
Set in a remote pub in rural Ireland, four local men - Jack, Brendan, Jim, and Finbar - gather for their nightly pints. Their routine is disrupted when Finbar introduces Valerie, a newcomer from Dublin. To impress her, the men trade eerie local folklore and ghost stories. However, the mood shifts profoundly when Valerie reveals the tragic, personal reason for her arrival. Far from a simple thriller, the play is a tender, intimate exploration of deep-seated loneliness, the comfort of shared storytelling, and the delicate human need for connection amidst the isolation of the countryside.