The Last Drop

Director: Colin Teague

Year: 2004

In this cool, but surprisingly emotional, gangster flick, Jack (Ken Stott - Fever Pitch, Shallow Grave) is a true gentleman and a class act of the short con game. With his young protégé, the charmingly streetwise Steve (Nick Moran - Lock Stock and Two Smoking Barrels, The Musketeer) alongside the sharp and sexy Jenny (Kate Ashfield - The War Zone, Late Night Shopping), and the 'bloody hopeless' Goat (Dominic Monaghan - The Lord of the Rings Trilogy), he runs a formidable team of quick-witted and successful con artists.   Keeping the team on track and making sure Steve is focussed on the play (not on Jenny's foxy good looks) is the only trouble for Jack - until a simple heist goes wrong and they are lumbered with a truck full of illegal immigrants destined for the sex trade. While most of them scarper, two of them, a scruffy 10-year-old girl and her frightened young brother, are left in Jack's reluctant charge. But then the furious smuggler sets out on a bloody vendetta, determined to wreak revenge for the loss of his precious cargo.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.