The Mapmaker

Director: Thomas Cochrane

Year: 2011

In the aftermath of World War 1, an expectant bride from a well-to-do family marries her young lover. No happy-ever-after tale this, and The Tenement Ghost draws us swiftly into a sordid world of violence and despair. Yes, it begins well enough, the couple embarking on a grand European honeymoon, but the groom's thirst for alcohol is shortly apparent. Returning to begin their new life together, the bride finds her efforts to nurture the marriage thwarted by her husband's excessive drinking. He dominates the relationship but spirals into alcoholism, his arrogance and self-loathing manifest in physical and emotional violence. Her rapid transition from starry-eyed bride to battered wife is marked by the appearance of a ghostly apparition and, though we are never sure whether this spectre is real or simply a fantasy borne of her brutal situation, its appearances become more frequent as her personality disintegrates. The death of their unborn child pushes her ever closer to the edge of sanity until the ghostly visitor's promptings finally impel her into a last desperate attempt to free herself from torment, bringing the Tenement Ghost to its ghastly and appalling climax.

Director: Simon Stone

Year: 2026

The powerful, deeply moving and inspiring true story of the actor Ian Charleson who faced incredible odds while preparing to give the performance of his life in Hamlet. Official Selection Telluride Film Festival 2026 Official Selection BFI London Film Festival 2026

Director: Patrick Hough

Year: 2026

Filmmaker Patrick Hough journeys through the haunted landscapes of Ireland, where colonial violence, ecological loss and queer desire remain inscribed in the land. Moving between forests, mountains, archives and cruising grounds, the film traces the extinction of the Irish grey wolf alongside the cultural suppression that followed Cromwellian conquest of Ireland. Fragments of history surface through objects and places: a death mask of Oliver Cromwell, medieval myths of werewolves, maps drawn to measure and divide conquered territory, and landscapes where wolves were once hunted to disappearance. These materials are interwoven with contemporary nocturnal scenes of queer gathering and protest, where shame gives way to transformation, pleasure and resistance. Blending essay film, documentary and poetic fiction, LANDSCAPES OF SHAME asks how violence survives in landscapes, language and bodies - and what forms of wildness still remain. Official Selection BFI London Film Festival 2026