Project Detail

The Marriage Counsellor

Synopsis

Davie Morgan is a marriage counsellor on the verge of a nervous breakdown.

Details

Year
2004
Type of project
Shorts
Running time
tbc
Format
DigiBeta
Director
Raymond Friel, Derek Boyle
Producer
Kathy Proctor
Editor
James Hamilton
Screenwriter
Raymond Friel, Derek Boyle
Director of Photography
Kristin McMahon
Sound
Angus McPake
Composer
Music Mountain
Principal cast
George Drennan, Kate Dickie, Rod Young

Categories

Production Status

Production Company

Emergency Productions

51B Monteith Row
Glasgow
G40 1AU
Scotland
UK

T+44 (0)141 556 3748

proctorkathy@hotmail.com

Sales Company

Scottish Screen

2nd Floor
249 West George Street
Glasgow
G2 4QE
Scotland
UK

T+44 (0)141 302 1756

bryony.mcintyre@scottishscreen.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Minute Minute

Director: Raymond Friel, Derek Boyle

Year: 1999

It's on the clock. All about timing. A man wakes up and tries to persuade his woman to have sex. The alarm interrupts.

No Women No Children No Women No Children

Director: Akporé Uzoh

Year: 2026

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

As Time Swallows Time As Time Swallows Time

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.