The Match
Synopsis
Wullie Smith, still carrying the physical and emotional scars of a childhood tragedy, is Inverdoune's milkman, a young man whose potential is concealed behind his gently uncertain exterior. Wullie is known locally for his remarkable TFR (Total Football Recall) and for his not-very-secret love for Rosemary Bailey, the beautiful daughter of Bill Bailey, a local farmer with a curious affection for cows. Rosemary has returned briefly to Inverdoune, after five years away at university and she plans to leave again to pursue a career in the big city. Wullie's dreams of winning her are helped by the wisdom and insight of the remarkable Buffalo, a troubled semi-alcoholic American left stranded in Scotland after his USAF unit moved away.
The single-street village has only two pubs: Benny's Bar owned by Big Tam, the ramshackle spiritual home of its delightfully eccentric clientele, and L'Bistro, a place of sterile modernity owned by the preening narcissist, Gorgeous Gus.
Benny's Bar may soon be lost forever. A bet made to settle a feud between the original owners of the two bars, is to be finally resolved by the result of the 100th annual football contest between the two bars. Past form indicates poor prospects for the team from Benny's Bar which has lost the match for 99 years in a row. But it is only the result of this, the centenary game, which will determine which of the two bars will be closed forever. . .
Details
- Year
- 1999
- Type of project
- Features
- Format
- 35mm
- Director
-
Mick Davis 1st Feature
- Producer
- Steve Golin
- Executive Producer
- Steve Golin
- Director of Photography
- Witold Stok BSc
- Principal cast
- Max Beesley, Richard E. Grant, Tom Sizemore, Ian Holm, Laura Fraser, David O'Hara, Bill Patterson, Neil Morrisey, James Cosmo, David Hayman, Isla Blair, Samantha Fox, Andy Gray, Iain Robertson, Hope Ross, Jonathan Watson.
- Screen Writer
- Mick Davis
Categories
Production Status
Production Company
Propaganda Films/Rafford Films c/o Polygram Film International Oxford House 76 Oxford Street London W1N 0HQ Tel: 020 7307 1300 Fax: 020 7307 1301
Sales Company
Polygram Film International as Production Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
No Women No Children
Director: Akporé Uzoh
Year: 2026
The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.
As Time Swallows Time
Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks
Year: 2025
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.
Ten to Six
Director: Alessio Rupalti
Year: 2025
A retired physicist, tormented by decades of guilt for not having saved his wife from breast cancer, believes he has finally found a chance at redemption. Thirty-five years after her death, he visits a small café on the outskirts of London, where a young waiter he is about to meet, seemingly by chance, turns out not to be a stranger at all.