The Memory Boom

Director: Xenia Glen

Year: 2022

Alo, an undocumented overseas Filipino worker, lives in an overcrowded house-share in London. He is struck by a latent neurological problem, which causes a bout of seizures and disrupts his situation in the household. The residents of the house are posed an ultimatum; should they risk Alo’s health or call an ambulance, potentially resulting in his deportation? World Premiere: BFI London Film Festival 2023 Sundance London 2024

Director: Elizabeth Hobbs

Year: 2026

After the death of their ill-tempered and controlling father, middle-aged sisters Constantia (Con) and Josephine (Jug), find themselves at a loss. The story takes place in 1920 and is set within a European townhouse where Constantia and Josephine have always lived with their domineering father. The two sisters' mother died when they were young, and they have spent their lives enslaved to the rhythm and routine of Father’s house. Even in death they fear their father and imagine him springing out of the wardrobe or shouting at them from his grave. Over time, their father’s control diminishes and they find comfort in taking part in peaceful activities in each other’s company. An unexpected visitor also helps them to find the courage to begin their lives anew. A merry, rude, and lyrical, animated adaptation of the modernist short story written by Katherine Mansfield in 1920. In this adaptation the sisters will begin to assert themselves in joyful, unexpected ways that could only be depicted in animation. Official Selection Quinzaine des Cinéastes / Directors' Fortnight Cannes 2026 - World premiere

Director: Eamon Bourke

Year: 2026

Filmmaker Eamon Bourke lost his mother, Sue, when he was three and has no memory of her. When his father decides to sell the remote Lake District home where she died, Eamon returns with his camera to document the house and its clearing. Among Sue’s belongings - diaries, poems, photographs and tapes - he discovers a box of damaged cassette recordings. After painstakingly repairing them, he uncovers something extraordinary: his mother’s voice. Through these intimate audio diaries, Sue speaks candidly about motherhood, sings to her children, and captures fleeting family moments Eamon never knew. One final tape records her describing the onset of hepatitis, days before she fell into a coma and died in 1983. Another, more haunting still, features three-year-old Eamon calling out to his unconscious mother in hospital, in a desperate attempt to bring her back. As Eamon pieces together this archive, he confronts the enduring impact of early loss, speaking with his father and sisters while retracing the emotional landscape of his childhood. Set against the vast beauty of the Lake District, a deeply personal exploration of grief, memory and love - an attempt to recover what was lost, and to finally say goodbye.