Project Detail

The Moth

Synopsis

Talented young carpenter Robert Bradley moves from the Jarrow shipyards to the country to join his uncle's furniture business in 1913. Life in the country is not always the idyll he had imagined and Robert is eventually driven from his uncle's home by damning accusations. Robert quickly finds work with the Thormans of Foreshaw Park where his meeting with the Thorman sisters provides a further conflict in an already self-destructive household.

Details

Year
1998
Type of project
Features
Running time
180 mins
Format
16mm, Digi Betta SP Fuji
Director
Roy Battersby
Producer
Keith Richardson
Executive Producer
Keith Richardson
Director of Photography
Robin Vidgeon BSC
Principal cast
Jack Davenport, Juliet Aubrey, Justine Waddell and David Howey
Screen Writer
Gordon Hann

Categories

Production Status

Production Company

Festival Film & Television Ltd Festival House Tranquil Passage Blackheath London SE3 OBJ Tel: 020 8297 9999 Fax: 020 8297 1155

Sales Company

Brite TV The London TV Centre Upper Ground London SE1 9LT Tel: 020 7737 8323 Fax: 020 7928 8470

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Red Mercury Red Mercury

Director: Roy Battersby

Year: 2006

A taut contemporary and gripping thriller which unfolds in a London restaurant, under siege by three fundamental extremists threatening the destruction of the city.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.