The Plot
Synopsis
The Plot is an enigmatic and ground-breaking collaboration between a film-maker, a 3-D digital animator and a web design team. Created entirely in the digital domain (Lightwave 3-D and internet), The Plot toys provocatively with the conventions of film and cinema, raising questions about the links between substance, meaning and entertainment.
Details
- Year
- 2004
- Type of film
- Shorts
- Running time
- 3 mins
- Format
- DigiBeta
- Director
-
Matt Hulse
- Producer
- Nicola Black
- Editor
- Holgar Mohaupt
- Screenwriter
- Matt Hulse
- Director of Photography
- Garry Marshall
- Sound
- Gerald Mair
- Music
- Jez Butler, Paula Knight, Karel Gott
Production Status
Production Company
Blackwatch Productions
3 Royal Exchange Court85 Queen Street
Glasgow G1 3DB, Scotland
UK
T+44 (0)141 222 2638
mesh@blackwatchtv.com
Page updates
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See also
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Year: 2020
The Hippies were a bizarre English punk band formed in '79 by the Hulse children, Toby (12), Matt (11) and Polly (8). Their cassette album 'A Sound for the Future' featured songs about disease, assassination and the Antarctic.<br /> "Stop eating toast and singeing your legs by the gas fire. Get up and do something!" (Ruth Pendragon, Mother, Manager, Guru), 1979. The Hippies performed ticketed live shows for their mother’s kindly but chaotic group of Cambridge friends; the homeless, drunks, animal rights activists, junkies, cross-dressers and gay Franciscan friars.<br /> <br /> The Hippies then and now. What truly happened back in the past and whose side of the story should be told? Especially as the film’s director was the band's 11-year-old drummer? Matt’s mum Ruth, maverick, mystic, manager, plays a pivotal role in the bigger picture, offering an insight into a time of personal and social upheaval, both for her and her family in Thatcher’s Britain.<br /> <br /> Using music of the period, archive, animation and poetic reimaginings of key moments, Matt Hulse explores a part-remembered, kaleidoscopically fractured, family history, through an energetic, jarring, ride; part performance, part art, part process, post-punk.

Director: Matt Hulse
Year: 2001
Hovering in mood somewhere between M Hulot's Holiday and The Exorcist this eccentric film does not attempt to narrate a dream, though it exploits the same kind of mechanisms that dreams utilise. Hold on to your hats.

Director: Matt Hulse
Year: 1999
Take me Home is an innovative and exhilarating exploration into the bizarre and unsettling behaviour of a vulnerable specimen who streaks seamlessly through spaces and atmospheres propelled by a startling array of compelling animation techniques.