The Quarry Men
Synopsis
Details
- Year
- 2000
- Type of film
- Features
- Running time
- 86 mins
- Format
- 35mm Kodak
- Director
-
Toby White
- Producer
- Lionel Newcombe
- Executive Producer
- Lionel Newcombe
- Editor
- Eddie Hamilton, Lucy Chapman
- Director of Photography
- James Solan
- Music
- Ilan Eshkeri
- Principal cast
- Richard Wellings-Thomas, Craig Henderson, Damien Matthews, Kate Stevenson-Payne
- Screen Writer
- Toby White
Categories
Production Status
Production Company
Gangster Pictures Contact: Toby White 1 Devonshire Gardens London W4 3TW Tel: 020 8742 8595 Fax: 020 7743 3810
Sales Company
Trans World International Contact: Simon Barnes Fifth Floor Axis Centre Burlington Lane London Tel: 020 8233 5305 Fax: 020 8233 5301 Sbarnes@imgworld.com
Page updates
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See also
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Director: Toby White
Year: 2003
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Director: Toby White
Year: 2000
The Quarry Men revolves around two friends, Alex and Aidan (Craig Henderson and Richard Wellings-Thomas), who go on holiday to Cornwall hoping for two weeks of drink and debauchery courtesy of Alex's uncle's pub. Unfortunately for them, the uncle has other plans and puts them to work. <br /> <br /> <br /> <br /> Inspired by the El Mariachi school of film-making, The Quarry Men is writer/director/producer Toby White's attempt to prove himself as film-maker. "I had been let down on the financing of another feature, an ambitious romantic comedy with a budget just shy of £1m. People loved the script but didn't know me. I had to show I was worthy. To this end, The Quarry Men was conceived," he says. "The script was written in a week because, like most good stories, the idea was based on personal experience." It also helped that the resources were already in place. The cast for the previous project had already been chosen and they were easily able to slip into the second film's roles.<br /> <br /> <br /> <br /> The Quarry Men was shot in a country pub in Cornwall, which was between owners. However, with just a month in which to work, filming became rushed and White admits the initial end result was not good. "It wasn't a feature. After editing a rough cut of one hour, the editor encouraged us to finish it." With news that the pub sale had folded, White and his team were able to return to the same location: "Pick-ups and whole scene changes were made. With another half an hour in the can we had a feature film."

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