The Round Tower
Synopsis
Details
- Year
- 1998
- Type of project
- Features
- Running time
- 180 mins
- Format
- 16mm, Digi Beta SP Fuji
- Director
-
Alan Grint
- Producer
- Keith Richardson
- Executive Producer
- Keith Richardson
- Director of Photography
- Robin Vidgeon BSC
- Principal cast
- Emilia Fox, Ben Miles, Keith Barron and Jan Harvey
- Screen Writer
- T. R. Bowen
Categories
Production Status
Production Company
Festival Film & Television Ltd Festival House Tranquil Passage Blackheath London SE3 OBJ Tel: 020 8297 9999 Fax: 020 8297 1155
Sales Company
Brite TV The London TV Centre Upper Ground London SE1 9LT Tel: 020 7737 8323 Fax: 020 7928 8470
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Colour Blind
Director: Alan Grint
Year: 1998
Colour Blind charts the family passions and problems which come to the surface after Bridget McQueen arrives home with a black husband and the growing years of the couple's mixed race daughter, Rose Angela, during the period after the First World War in South Shields. The story, initially told in flashback, then follows the experiences of the adult Rose Angela as she fights to establish her own place in the world.
Life Without Electric
Director: Emily Ng, Jay Notley
Year: 2023
A heart-warming Chinese family experience a power cut enabling the father to reminisce on his experiences growing up without Electricity.
Cherry Red
Director: Stella Scott
Year: 2026
Sylvie is a 15-year old teenager passionate about photography. When she meets a photographer, Michael (36), taking portraits on the street, she hands her his camera and invites her to his studio. While Sylvie imagines he wants to help her, Riz, her best friend, warns that if a guy is talking to her, he’s only interested in one thing. Despite Riz’s remarks, Sylvie can’t help wondering what it might feel like to be seen through his lens. At the studio, Michael and Sylvie connect. She picks things up quickly, taking photos of him, then he takes one of her. Hesitant at first, she leans into it and starts to pose. When he turns away, seemingly uninterested, Sylvie removes her trousers. His light-touch manipulation has worked: she feels self-possessed, and in control. She leaves walking on air, already imagining the photo he took of her for his upcoming exhibition. She can’t wait to tell Riz. But at the exhibition opening, reality hits: an anonymous photo of her blood-stained knickers hangs on the wall instead. When Sylvie returns and sees Michael, she pretends everything’s Okay. And as the music swells, she seduces him and marks him with her menstrual blood.