The Show

Director: Mitch Jenkins

Year: 2025

17-year-old orphan Lucy Gladwell is sent from England to live under the guardianship of her uncle George Huyton, an English plantation owner in the island of Mauritius. George’s plans for Lucy soon become problematic when she falls in love with a local Tamil man. A story of love across the class and racial divides set in the 1910s.

Director: Mitch Jenkins

Year: 2023

The year is 2041, and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose-built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sewing the seeds of distrust between Anderson and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise will change humanity forever

Director: Robert Dee

Year: 2027

Lily and her husband Charlie, a couple in their early thirties, quietly fall apart inside a rural farmhouse inherited from Charlie’s father. Lily, an agoraphobic artist haunted by a childhood coma that left her temporarily paralysed, secretly performs ritualised asphyxiation to feel control over her body. Charlie, unable to face his hidden sexuality, seeks anonymous encounters with strangers. Their private compulsions hold their marriage together in a fragile, unspoken equilibrium. This balance fractures when Sam and Hannah arrive next door. Sam, a severe, cult-like presence, and Hannah, his unsettlingly youthful companion, first appear as eccentric but intriguing neighbours. Yet their charm soon curdles. They slip into Lily and Charlie’s routines, testing boundaries, dissolving privacy, and infiltrating their emotional space. A psychological game of mimicry deepens into ritualistic horror as Lily and Charlie’s identities begin to erode. Sam and Hannah exploit the psychological fault lines of their victims, using hidden fears and repressed desires as points of entry. As the distinctions between self and other blur, Lily must confront her deepest fear: losing control of her own body. Sam and Hannah are not simply neighbours - they are fallen angels on the run from the wrath of God.