The Trigger
Synopsis
Details
- Year
- 2011
- Type of project
- Shorts
- Running time
- 14 mins
- Format
- 35mm
- Director
-
Marcus Shepherd
- Producer
- Rachel Robey, Alastair Clark
- Editor
- Tobias Zaldua
- Screenwriter
- Marcus Shepherd, Jonathan Parkyn
- Director of Photography
- Dave Miller
- Production Designer
- Mike McLoughlin
- Sound
- John Hughes
- Composer
- Graham Reilly
- Principal cast
- Ralph Brown
Categories
Production Status
Production Company
Wellington Films Ltd
Broadway Media Centre14-18 Broad Street
Nottingham NG1 3AL
UK
T +44 (0)115 840 0043
Sales Company
Dazzle Films
Unit P102Penn Street Studio
23-28 Penn Street
London N1 5DL
UK
T +44(0)20 7739 7716
Page updates
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See also
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El Hoppo!
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Year: 2009
One hot summer afternoon in a remote Spanish village a stranger arrives, the first man to hop around the world.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.