The Understudy (Director's Cut)
Synopsis
Details
- Year
- 2007
- Type of project
- Shorts
- Running time
- 16 mins
- Format
- DV
- Director
-
Simon J Williamson
- Producer
- John Henderson
- Editor
- Simon J Williamson
- Screenwriter
- Simon J Williamson
- Director of Photography
- Sam Lowlini
- Sound
- Milo Silwans
- Composer
- Marc Teitler
- Principal cast
- Jake Thomas, Sara Wakefield
Genre
Categories
Production Status
Production Company
Fantasy Ridge Productions
Suite 501International House
223 Regent Street
London W1R 8QD
UK
T +44 (0)20 7686 1481
mail@fantasyridge.co.uk
Sales Company
Fantasy Ridge Productions
Suite 501International House
223 Regent Street
London W1R 8QD
UK
T+44 (0)20 7686 1481
mail@fantasyridge.co.uk
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Right Hand Man
Director: Simon J Williamson
Year: 2005
Young Matt wants to be like his uncle Larry, Cardiff's slickest card sharp. But Larry won't teach the boy what he wants to know, and Matt has to take matters into his own nimble-fingered hands. But what happens when he meets the most dangerous man in Cardiff - the Sicilian?
Life Without Electric
Director: Emily Ng, Jay Notley
Year: 2023
A heart-warming Chinese family experience a power cut enabling the father to reminisce on his experiences growing up without Electricity.
Cherry Red
Director: Stella Scott
Year: 2026
Sylvie is a 15-year old teenager passionate about photography. When she meets a photographer, Michael (36), taking portraits on the street, she hands her his camera and invites her to his studio. While Sylvie imagines he wants to help her, Riz, her best friend, warns that if a guy is talking to her, he’s only interested in one thing. Despite Riz’s remarks, Sylvie can’t help wondering what it might feel like to be seen through his lens. At the studio, Michael and Sylvie connect. She picks things up quickly, taking photos of him, then he takes one of her. Hesitant at first, she leans into it and starts to pose. When he turns away, seemingly uninterested, Sylvie removes her trousers. His light-touch manipulation has worked: she feels self-possessed, and in control. She leaves walking on air, already imagining the photo he took of her for his upcoming exhibition. She can’t wait to tell Riz. But at the exhibition opening, reality hits: an anonymous photo of her blood-stained knickers hangs on the wall instead. When Sylvie returns and sees Michael, she pretends everything’s Okay. And as the music swells, she seduces him and marks him with her menstrual blood.