The White Room

Director: Rodeo Whiter

Year: 2015

A twisted horror film, looking into the mind and emotions of a scared, tortured individual. He will go to extreme lengths just to get the love and affection of his mother, that he craved so much as a child.

Director: Rodeo Whiter

Year: 2015

In the year 2065, Earths natural resources have been ravaged. A small two-manned space-craft has been given the mission to gather samples on a possibly inhabitable alternative to earth; Atlas 29D. The two astronauts are left stranded in space once their communication with Earth fails. Now, Atlas 3 has been launched. They've just picked up the samples and they are on their way home, when they pick up Atlas 1's signal. Rocket Man tells the story of Scout Kepler; one of the two lost astronauts of the Atlas 1. In the words of Elton John, he's a "Rocket man, burning out his fuse up here alone". We see clips of his log footage, mainly consisting of him talking to himself and pretending to host a radio-show, ironically, to stop himself from going crazy. We begin with Scout. We are introduced to him when he is already marooned in space, strung out in heavens high, hitting an all time low, talking to himself and slowly, steadily, going off the rails. We are then introduced to the crew of the Atlas 3: Jones and Tomkins. We are initially presented with the radio communication between Ground Control and Jones as she asks permission to investigate the Atlas 1. Throughout the film, we follow Scout, on his journey through loneliness, futility and eventually a kind of nirvana. However, simultaneously we are presented with Jones and Tomkins; the crew of the Atlas 3, as they discover the Atlas 1 and finally go inside and find Scout. It is only revealed at the end of the film, that these ship logs that we have been watching, from the Atlas 1, are simply footage found by Tomkins, on the abandoned spacecraft. When Tomkins reaches Scout, he has been dead for three days.

Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson

Year: 2026

In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere