Project Detail

The Wrong Rock

Synopsis

Martin the Mushroom was born on the wrong rock. The mushrooms on his rock look like him, but they don’t share the same enthusiasm. Martin journeys to the other rock but is rejected by a native mushroom because he looks different. Thus begins his epic journey to find his place.

Details

Year
2018
Type of project
Shorts
Running time
13 mins 21 secs
Format
CGI Animation
Director
Michael Cawood
Producer
Julie Pifher
Editor
Michael Cawood
Screenwriter
Michael Cawood
Sound
Caleb Winters
Composer
Grant Kirkhope
Animators
Gyusung Yim, Hamed Behrouzi, Matthew Lottering, Josh Baumler, Benjamin Slack, KaeKwai Tan, Ehsan Bayat

Categories

Production Status

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Elephant & Castle among the towers Elephant Families

Director: Elena Escalante

Year: 2025

A wave of regeneration is hitting London’s working-class neighbourhoods. South of the river, the demolition of Elephant & Castle’s shopping centre has uprooted the community who made it their own. As they navigate an uncertain future, they carry with them the legacy of a place that once felt like home. Official Selection BFI London Film Festival 2025 - Short Film Competition - World premiere

The Big Bad Wolf The Big Bad Wolf

Director: Leo Wright

Year: 2024

After discovering the power of the humble brick, pigs forged ahead into the industrial revolution building houses, factories and shops to wolf-proof their lives. This is the story about a little piggie named Richmond who befriends a not-so-big bad wolf named Billy, much to the outrage of his father. Set in the Black Country, this film is about friendship, inclusivity and not judging a wolf by its cover. Official Selection BFI London Film Festival 2025

Border as interface Border as interface

Director: Petra Szemán

Year: 2024

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025