Project Detail

The Zone of Interest

Synopsis

The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
Official Selection Cannes Film Festival 2023 - Competition - World premiere
Official Selection Toronto International Film Festival (TIFF) 2023
Official Selection BFI London Film Festival 2023

Details

Year: 2023
Type of film: Features
Running time: 106 min
Director: Jonathan Glazer
Producer: Ewa Puszczynska, James Wilson
Executive Producer: Reno Antoniades, Daniel Battsek, Len Blavatnik, Danny Cohen, Ke'Lonn Darnell, David Kimbangi, Ollie Madden, Tessa Ross
Editor: Paul Watts
Screenwriter: Martin Amis (novel), Jonathan Glazer (script)
Director of Photography: ukasz al
Production Designer: Chris Oddy
Sound: Re-recording Mixer, Sound Designer, Supervising Sound Editor: Johnnie Burn
Music: Mica Levi
Principal cast: Sandra Hüller, Christian Friedel, Freya Kreutzkam, Ralph Herforth, Max Beck, Lilli Falk, Stephanie Petrowitz, Marie Rosa Tietjen

Genre

Drama

Production Status

Complete

Production Company

US, UK, Poland co-production

An A24 (US), Access Entertainment (US), Extreme Emotions (PL), House Productions (UK), JW Films (US) production supported by Film4 (UK)

House Productions

14A Clerkenwell Green
London
EC1R 0DP

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Sales Company

A24

31 W. 27th Street
11th Floor
New York
NY 10001
USA

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Awaiting synopsis <br /> Forthcoming Jonathan Glazer Holocaust film set in the Auschwitz concentration camp. <br /> "I am interested in the bystanders who watched the atrocities unfold... I remember being very taken by the faces of the bystanders, the onlookers, the complicit, you know? Ordinary Germans. I started wondering how it would be possible to stand by and watch that. Some of the faces actually enjoy it. The spectacle of it. The kinda circus of it.” <br /> “A lot of the stories I’ve seen, I do sometimes think they could be set anywhere actually. As soon as you define a plot, you’re sort of somehow relegating Auschwitz as a place and it becomes a context. For me, I don’t want to do that. I just felt that was wrong.” Jonathan Glazer

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