Theo and the Macrotaur
Synopsis
He finally gets his chance when Aria is kidnapped by the man-eating Macrotaur, a creature that blurs the lines between beast and man that lives in the ultra dense Beasting Forest. Armed only with a wooden sword Theo sets off into the forest to save his love.
The story is a look at heroism; specifically what it takes to be a hero and how far one can go to protect your loved ones.
Details
- Year
- 2010
- Type of project
- Shorts
- Format
- HD
- Director
-
Kieran Jarvis-Brown
- Producer
- Pietro Rinaldi
- Screenwriter
- Kieran Jarvis-Brown
- Director of Photography
- Richard Smyth
- Production Designer
- Jamie Reeder, Jade Yaxley
- Sound
- Hannah Olding
- Principal cast
- Thomas Brandon, Matt Rook, Maia Krall Fry, Sean Chard, Michelle Yim
Categories
Production Status
Production Company
University of Hertfordshire
Hatfield AL10 9ABUK
Page updates
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See also
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Theo and the Macrotaur
Director: Kieran Jarvis-Brown
Year: 2010
Theo & the Macrotaur is a 10 minute dramatic love story loosely based on the classic Greek myth Theseus and the Minotaur. Theo is madly in love with Aria but in a town filled to the brim with warriors from all over the globe he has a mighty struggle ahead of him if he wants to impress her. He finally gets his chance when Aria is kidnapped by the man-eating Macrotaur, a creature that blurs the lines between beast and man that lives in the ultra dense Beasting Forest. Armed only with a wooden sword Theo sets off into the forest to save his love. The story is a look at heroism; specifically what it takes to be a hero and how far one can go to protect your loved ones.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.