Project Detail

This Is Not Real

Synopsis

Computer animated short about Charley, an 11 year old boy, who seeks refuge in an imaginary world from the digital monotony of his environment and desires to venture to the Himalayas. His semi-conscious journey takes a twist when he is unexpectedly confronted and this leads him to an all-defining conclusion...

Details

Year
2011
Type of film
Shorts
Running time
7 mins 14 secs
Format
DigiBeta
Director
Gergely Wootsch
Producer
Royal College of Art
Screenwriter
Gergely Wootsch
Production Designer
Gergely Wootsch
Sound
Julian Scherle
Composer
Julian Scherle
Animation
Gergely Wootsch
Additional Animation and Modelling
Eamonn O'Neill, Vincent Husset, Ben Klimmek

Categories

Production Status

Production Company

Animation Department

Royal College of Art
Kensington Gore
London
SW7 2EU
UK
Tel: +44 (0)20 7590 4512
Fax: +44 (0)20 7590 4510

Sales Company

Animation Department

Royal College of Art
Kensington Gore
London
SW7 2EU
UK
Tel: +44 (0)20 7590 4512
Fax: +44 (0)20 7590 4510

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Hungry Corpse The Hungry Corpse

Director: Gergely Wootsch

Year: 2012

A short tale set in London's bustling, yet desolate Trafalgar Square about an ancient, rather hungry Corpse and a Pigeon. Voiced by Bill Nighy and Stephen Mangan the film is a tale of companionship in a dark, monochrome London from the perspective of a still, solitary protagonist.

The Hungry Corpse The Hungry Corpse

Director: Gergely Wootsch

Year: 2013

In London's bustling, yet desolate Trafalgar Square, an ancient, rather hungry corpse meets a pigeon.

Ava and her Mum grip hands Of All The Things

Director: Steff Lee

Year: 2025

Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be an exciting playground has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding?