This Man's Journey

Director: Rohan Sabharwal

Year: 2010

Shunyata is a short political film that may appear to explore the duplicity in our democratic system but in spirit hints at the struggle faced by minorities in just about any country. It is set in Mumbai and doesn't make any direct reference to a particular individual or event but rather every single similar event since the partition of two countries due to politically fueled religious issues which have had and will continue to have severe repercussions. The story revolves around a Muslim girl Saeeda whose husband is picked up for questioning by the police and mysteriously disappears. It's been two years but she won't give up until she knows the truth. She forms a special father-daughter relationship with a police inspector who thinks he's helping her in her quest but doesn't realize that he will ultimately destroy her by leading her to the very people who brutally murdered her husband.

Director: Alex Darby, George Leith, Sophie Mei Birkin

Year: 2026

Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.