This Year's Love

Director: David Kane

Year: 2001

Three young men, all cursed with two left feet, pursue three beautiful women. A mystical cupid-like cab driver, Jimmy, aids the course of true love with words of wisdom for Eddie; lost clues for Fergus and Salsa lessons for Frankie as they embark on a series of adventures against a background of Salsa, Latin and Easy-listening tunes. David Kane's follow-up to his sleeper hit This Year's Love owes its existence to actress Jennifer Ehle. During the making of that film, she dragged Kane along to a salsa class and, to the jiving sounds of Celia Cruz, the late Tito Puente and their Cuban and Colombian companeros, Kane came up with Born Romantic. Produced by Michele Camarda, who worked with Kane on both films, the film revolves around the romantic adventures of six young salsa enthusiasts - including David Morrissey as a musician, Jimi Mistry as an incompetent thief, Olivia Williams as an art restorer and Jane Horrocks as a record shop assistant - who are guided by a cab driver-cum-cupid (Adrian Lester).

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.