Project Detail

Three Days

Synopsis

London 8am. A letter arrives. Finder's lover is leaving on an early train for Paris. He rushes to the Eurostar terminus but his hopes of catching her are extinguished by missed connections and a tube delay.


'However much you think you're prepared for something, you never are'.


From a Eurostar telephone Finder calls his work-partner, Blind Date Man, only to find a journal belonging to a Canadian actress just arrived in London, Tina 'The Tourist'. The journal contains Tina's money, passport, and a Polaroid of her host and mentor, Wheelchair Woman.


'One moment you're one person, the next you can be someone completely different'.


As Finder is led on a three-day journey of chance and coincidence we meet a host of other eccentric characters whose paths entwine. The compassionate Buddhist Fashion Victim, beautiful Question Mark Woman, her naive admirer Kebab Boy, and the enigmatic Caretaker.


But Finder has still to locate Tina. He takes another look at the Polaroid. It looks like any other tourist snapshot, but with one difference - he recognises himself in the background . . .


. . . of a picture that hasn't been taken. Yet.


'Maybe if we were confused all the time, things would be a lot clearer'.

Details

Year
1999
Type of project
Features
Running time
100 mins
Format
35mm Kodak
Director
Andrew Hill, Ronald Austin 1st Feature
Producer
Dandy Bishop, Sport Torres
Director of Photography
Ronald Austin
Principal cast
Andrew Hill, Caterina Turroni, David Thomas, Nick Makasis, Karen Rose
Executive Screen Writers
Andrew Hill, Ronald Austin

Categories

Production Status

Production Company

Austin Hill Film Productions Limited 97 Golborne Road London W10 5NL Tel/Fax: 020 8960 4588

Sales Company

Stranger Than Fiction Golden House 29 Great Pulteney Street London W1R 3DD Tel: 020 7734 5489 Fax: 020 7734 5490 Email: gracarley@aol.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A demon wearing a mask carrying an axe attacks. Grin

Director: Lawrence Fowler

Year: 2026

Following a horrific crime committed when they were young, a group of four friends think it will remain a secret forever until they discover and play a vintage board game. When the game unwittingly summons the grotesque clown demon ‘Grin’, it soon becomes clear the demon targets those who have committed terrible sins. Official selection FrightFest 2026

Band playing on stage The Public

Director: Asa Gartland

Year: 2026

The Public have just played the best gig of their lives, and for the first time, someone in a suit is interested. It feels like the moment they have been waiting for, but celebrations quickly descend into chaos. Andy, the band's quiet and devoted guitarist, watches as his dream begins to dissolve around him. A chain reaction is set in motion as secrets are exposed, loyalties shift, and buried tensions explode to the surface. As the night spirals further out of control, the frontman, Ted, is pulled toward a future that could take him away for good. Andy becomes desperate to save Ted from himself and hold everything together, even as it becomes clear that some things will never be the same.

Dinner table scene, psychological control, the wife is subject to a societal trial and judgement influenced by her abusive husband. (In)Visible

Director: Sam Joseph

Year: 2025

(IN)VISIBLE explores the psychological effects of domestic abuse and society’s complicity in trial and judgement. A young wife, abused by her older husband, is misread as cold and detached while he charms his friends. When he suddenly leaves during a very awkward and tense pre-dinner gathering against the backdrop of a symbolic art exhibition, she finds herself at the centre of an uncomfortable, damning trial by those who only know his version of the story. The trial unfolds around a contemporary table setting, echoing iconic scenes from art history, showing the historical repeated patterns of how women are seen, silenced, and judged. The film’s emotional power lies in what remains unsaid, and it reveals the insidious nature of domestic abuse and the ease with which a perpetrator can shape a victim's story; in this narrative, the wife endures a hostile societal trial and judgment with strength, dignity and resilience.