Tickets
Synopsis
One older businessman finds solace and a new insight into life when he is forced to wait at the train station due to bad weather. A young man is reminded of life's obligations but is also introduced to love. And three Scottish youths on their way to the football match of their dreams are forced to open their eyes and see the bigger picture.
One single train journey sparks many changes for many people. This is a film about priviledge and exclusion, and the reality of the value of just one 'Ticket'.
Details
- Year
- 2005
- Type of project
- Features
- Format
- 35mm
- Director
-
Ermanno Olmi, Abbas Kiarostani, Ken Loach
- Producer
- Carlo Cresto-Dina, Babak Karimi, Rebecca O' Brien, Domenico Procacci
- Editor
- Giovanni Ziberna, Babak Karimi, Jonathan Morris
- Screenwriter
- Ermanno Olmi, Abbas Kiarostami, Paul Laverty
- Director of Photography
- Fabio Olmi, Mahmud Kalari, Chris Menges
- Sound
- Francesco Liotard, Maricetta Lombardo, Ray Beckett
- Composer
- George Fenton
- Principal cast
- Carlo Delle Piane, Valeria Bruni Tedeschi, Silvana De Santis, Filippo Trojano, Martin Compston, William Ruane, Gary Maitland, Blerta Cahani, Klajdi Qorraj
Categories
Production Status
Production Company
Sixteen Films, Fandango
c/o The WorksSales Company
The Works
Portland House4 Great Portland Street
London W1W 8QJ
UK
T+44 (0)20 7612 1080
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Diary of a Bandit (Diario di un brigante)
Director: Henry Worsley
Year: 2027
Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.
Your Sweet Home
Director: Nataša Cordeaux
Year: 2026
Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.
Split Ends
Director: Grace Cassidy, Laura Hafes
Year: 2025
Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026