Uncle Howard

Director: Aaron Brookner

Year: 2012

Lydia Brass is a famous stage actress who has played the lead in her father's plays for more than half her life. He is the World-renowned playwright, Sir Rowland Brass. Now in her early thirties, Lydia is determined not to work for her father any longer for reasons she initially won’t disclose. She also no longer wants to act, but when she develops a relationship with an ambitious American playwright living in London, and ultimately marries him, he gradually coerces her back on stage. It is by returning to the stage that she finds herself caught in a nasty and manipulative game where she doesn’t know whether to believe: her prestigious father, her husband, a writer who is a plain old nobody, or no one altogether. The Silver Goat is the first film created for the iPad and the 1st to be released as an app in the UK, Europe and Latin America.

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.