Project Detail

Undead Sun

Synopsis

Undead Sun looks back at the seismic impact of the First World War and considers how so many of the products of that conflict continue to shape our contemporary experience.

Details

Year
2014
Type of film
Shorts
Running time
13 mins 40 secs
Format
Red
Director
Jane and Louise Wilson
Producer
Ohna Falby
Executive Producer
Steven Bode
Editor
Daniel Goddard, Colm Rourke
Screenwriter
Jane and Louise Wilson
Director of Photography
Martin 'Teddy' Testar
Production Designer
Nicholas Mortimer
Sound
Barnaby Templer
Principal cast
David Wayman, Scott Wickes, Jack Mayer, Luke Cook, Genevieve Crean, Apoa Falby Clark, Madeleine MacMahon
Production Assistant
Alix Taylor
Researcher
Cecilie Gravesen
Production Accounts
Sophie Luard
Art Director
Charlie Yetton
Costume Designer
Chloe Gross
Wardrobe Assistant
Apoa Falby Clark
Focus Puller
Daniel Brough
2nd Camera Assistant
Joshua Dadson
Grip
Dean Steadman
Gaffer
Martin Kloud
Electrician
Joe Gainsborough
Diver
Mirik Smit, Myles Radcliffe
Camera & Grip Equipment
Lewis Testar
Lights
Panalux
Camera Transport
Pierre Tucker
Insurance
Robertson Taylor
Colourist and Online Editor
Colm Rourke
Animation
Apoa Falby Clark, Natalie Wyle
Graphic Animation
Prime Focus
Prime Focus Designer
Jason Guest, Bryan Servante
Prime Focus Producer
Carle Duthoo
Voice Over Artist
Heike Brinkmann
Sound Mix
Fonic Studios
'Hide and Seek
Camouflage, Photography, and the Media of Reconnaissance' by Hanna Rose Shell, published by Zone Books, 2012. Excerpted by permission.
With Thanks to
Caroline Smith, Tom McCarthy, Sara Bevan and Heidrun Gassner from IWM (Imperial War Museums), Tatiana Ojjeh, Victoria Luxem and Gemma Holsgrove of Artliner, Graham Rood and Ken Odgers of the Fast Museum, Farnborough, Barnaby Laws from Panalux, Simon Parkinson from Aspire Defence, Dave Morgan, Art AV
Special thanks to
Artliner, Pall Mall Barbers, Prime Focus

Production Status

Production Company

Film and Video Umbrella

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Toxic Camera The Toxic Camera

Director: Jane and Louise Wilson

Year: 2012

Toxic Camera, inspired by the film Chernobyl: A Chronicle of Difficult Weeks by Soviet filmmaker Vladimir Shevchenko, reflects on the material nature of the film and the human impact of disasters like Chernobyl.

Malcolm talks to Horatio about fishing. Death of the Reprobate

Director: Joe Richardson

Year: 2024

Immortal John is dying. As his last surviving heir, you have been summoned to hear his dying wish. Will he ask you to avenge his death!? To murder all those who have wronged him!!? To bring to fruition his life long plan to topple the ruling elite from within, shattering the balance of power, and ultimately saving the world!!!? Or will he simply ask you to stop being such a shit? Only time will tell. Or me, I can tell you – It's the last one. DEATH OF THE REPROBATE is a gentle story about helping people and being a nice lad. Travel around a quiet, rural town - help the locals in their day to day tasks. Wander into the nearby woods - make idle chit-chit with a woman submerged neck-deep in a tiny pond. Climb to an idyllic viewpoint in the mountains, overlooking earth and sea and sky, the natural and the man-made, the eternal mystery held within the infinite depths of the distant horizon - help a man shoot some birds. This is a game full of slow burning simple pleasures... ...Until the Devil gets involved. Official Selection BFI London Film Festival 2025 - Games Lounge at LFF Expanded

A boardwalk in San Francisco Half Memory

Director: Ufuoma Essi

Year: 2024

Using Toni Morrison’s ‘The Site of Memory’ as a starting point for interrogation, HALF MEMORY is a languid meditation on memory, conurbations, isolation, and the histories we live among. Oscillating between years, cities, and unfolding images, the film is an examination of the present as an artefact of the past. Shot on Super8 and filmed between the US, France and the UK over a period of years. Official Selection BFI London Film Festival 2025