Undo

Director: Simon Burrill

Year: 2005

Life repeats itself over and over for Mr Theobald, just another cog in society's machine, until something changes his way of thinking in a darkly humorous modern fairy tale mixing live action and animation.  

Director: Nina Danino

Year: 2026

“You are a sky of autumn, pale and rose; But sadness in me rises like the sea" The Eyes of Beauty, Charles Baudelaire, The Flowers of Evil In Greenwich Park, London two lovers stroll and talk about love, their relationship and the making of a film in Venice. The Venice film is shot on 16mm. Venice at dawn is empty and a protagonist sits at the empty San Marco Piazza, is seen walking in a detached manner from the grand sights and facades and interiors of Palazzos into the backstreets. In gilded interiors and painted ceilings, as the winter afternoon light weakens in a soporific atmosphere, she lays in dark interiors with frescoes of Antiquity. Like the Risen, at twilight she walks the alleyways and into the Like the Risen, at twilight she walks the alleyways and into the dark to meet the Devil at dawn. Featuring the actor Pietro Fanelli – the Devil makes a fleeting but impactful appearance, the protagonist offers herself to his gaze and touch. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence, exotic pleasure and lovers, exemplified by Venice.

Director: Jack Jeffreys

Year: 2026

Fish are nightly invaders of my sleep. Work consumes my dreams. Night gives way to another commute; adverts appear before me, their faces drawn tight. The day passes again, and at night, within the walls of my workplace, a fishmonger’s in London, dreams appear again, this time, a grief-stricken reverie, memories of my father. The film's title is inspired by Maurice Blanchot’s ‘The Book to Come’ which incited my exploration of whether images can capture anything sacred in a world of dispossession. A diaristic, psychogeographic journey through a city that metastasises uncontrollably before me, the film captures a form of alienation that supersedes and confounds the trajectory of grief. What is lost when all becomes gloss? Official Selection BFI London Film Festival 2026