Project Detail

Urban Spiritual

Synopsis

Towards the end of her life Susan explores her relationship with her nineteen year old daughter Samantha. Throughout the film Susan is dying of cancer - although this is not expressed definitively to the audience. Although the main concern of the film is the mother-daughter interaction, a third character is imparted through the dialogue in the form of an absent father.

Details

Year
2011
Type of project
Shorts
Running time
13 mins 47 secs
Format
DSLR
Director
Robert Williams
Producer
Robert Williams
Co-Producer
Marta Sala Font, Jack Allet, Kathryn Hamilton-Hall, Helen Williams
Editor
Ross Turner
Screenwriter
Robert Williams
Sound
Joe Bulmer, Leo Fawkes, Jesse Smith, Joe Tutt
Composer
Johann Johannsson
Principal cast
Kathryn Hamilton-Hall, Amy McCallum

Production Status

Production Company

Vaticinate Pictures

E: thankyouforcomingbacktome@hotmail.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Crackling Glade The Crackling Glade

Director: Robert Williams

Year: 2013

Two wives and two soldiers divided by war discuss the horror of the conflict. This heightened short form drama utilises poetic language to open dialogue with its audience concerning the transience of life and the consequences of a fictional war on British soil.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.