USAGI-SAN

Director: Patrick Dickinson

Year: 2023

After the death of his wife, Kenzaburo (60s) and his son Toshi (30s) receive an unexpected letter from beyond the grave. Akiko, their wife and mother, asks them to scatter her ashes at the place she loved most as a child – Lake Windermere in England. Surprised by this unexpected request, father and son are initially at loggerheads over their next steps. The two men, along with Toshi’s wife Satsuki and young daughter Emi, eventually travel together to England from Tokyo to fulfil Akiko’s final wish. But Kenzaburo keeps losing himself in memories of Akiko as his relationship with Toshi becomes increasingly fraught. With little knowledge of where he is going and barely any English, Kenzaburo abandons his family in London and heads to the Lake District on his own with Akiko’s ashes. As he embarks on his quest, his memories of Akiko grow more painful. A lost and weary Kenzaburo stumbles onto the doorstep of a farmer, John, and his daughter Mary. With their help, Kenzaburo is finally able to set course once again toward Lake Windemere. But his true journey toward forgiveness and reconciliation will prove the hardest of all. Official Selection Vancouver International Film Festival 2023 - World premiere Official Selection Rome Film Festival 2023 - European premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.