Project Detail

Walk Tall

Synopsis

No sponsorship, one kidney, tuberculosis, a broken back... All set for the London Olympics... 1948.

Details

Year
2011
Type of project
Shorts
Running time
11 mins
Director
Kate Sullivan
Producer
Lucy McDermott
Executive Producer
Anton Califano
Editor
Kate Sullivan
Director of Photography
Ewan Mulligan
Sound
Ian Painter
Composer
Chris Forrester
Principal cast
George Weedon

Production Status

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Flesh of the Screen The Flesh of the Screen

Director: Kate Sullivan

Year: 2023

A short experimental film comprising of three stereoscopic experiments, with accompanying experimental soundtracks. The film continues the artist filmmaker's phenomenological investigation into the perceived soul-giving properties of animation, stereoscopy, and analogue materials. Official Selection Busan Short Film Festival 2025 - World premiere

A young farmer, Lucy Robbins, speaking to camera in a spring field in the Cotswolds Cotswolds: Field and Folk

Director: Tea Smart

Year: 2026

Set in the rolling landscapes of the Cotswolds, a documentary exploring the lives, challenges, and traditions of the farmers who shape this iconic countryside. Through intimate conversations with a new generation and those who have worked the land for decades, the film reveals how farming families are navigating change - from shifting economics and environmental pressures to evolving ideas about land stewardship and community. Rooted in place and guided by the voices of those who live it every day, the documentary offers a rare, personal portrait of modern rural Britain and the people working to sustain both land and livelihood for the future.

Every Moon Is Atrocious Every Moon Is Atrocious

Director: Yvonne McDevitt

Year: 2026

Structured as a psychogeographic voyage, the film explores place, memory, and sensation through the inner life of a poet whose sense of self gradually dissolves into cinematic reflection. Departing from conventional documentary forms, EVERY MOON IS ATROCIOUS invites audiences into a layered sensory environment where image, sound, and language operate associatively. At its core lies the poetry of the late Niall McDevitt (1967-2022), whose work forms the conceptual and emotional spine of the film, shaping a trance-like rhythm that mirrors the protagonist’s journey towards death and the unknown. Yvonne McDevitt’s filmmaking resists separating form from feeling. Dreamlike visuals, intense durational shots, and richly layered sound design prioritise emotional resonance over linear narrative. Fragmented imagery and superimpositions draw viewers into a meditative mode, presenting the film as a cinematic drift that charts inner terrains as much as physical ones. Movement through cities and coastlines becomes inseparable from movement through memory, grief, and desire. Official Selection Dublin International Film Festival 2026 - World premiere