We've Only Just Begun
Synopsis
Details
- Year
- 2022
- Type of project
- Shorts
- Running time
- 11 min
- Format
- Digital
- Director
-
Meneka Das
- Producer
- Andrew T Mackay, Meneka Das
- Editor
- Ian Baigent, Meneka Das
- Screenwriter
- Meneka Das
- Director of Photography
- Chris Clarke
- Production Designer
- Alessandra De Palma
- Sound
- Vladimir Joassiant
- Composer
- Andrew T Mackay
- Principal cast
- Ace Bhatti, Meneka Das, Sheenu Das, Christopher Hunter, Kanchan Rawal
- Line Producer
- Stephanie Moon
Categories
Production Status
Production Company
Bohemia Junction Limited
56A Poland StreetLondon W1F 7NN
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Little Box of Sweets
Director: Meneka Das
Year: 2007
Set in a country coming of age, Little Box of Sweets is a simple love story about a young girl's journey to fight for her dreams and the love of the man who inspired her. A little village in North India is Asha's world. Whatever she knows and wants is right here in her humble existence with her grandparents and her soul mate Lalli. Then Seth comes along, the handsome son of an Indian Commissioner and Sheila, the beautiful daughter of a British missionary. Seth and Asha's common love for poetry draws them closer - awakening Asha to a dream to be more like him and strive for a better future. But it comes at a price.
No Women No Children
Director: Akporé Uzoh
Year: 2026
The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.
Monsters
Director: Andy Field, Beckie Darlington
Year: 2025
Created in collaboration with local children in one of the most environmentally fragile areas of the UK, this experimental documentary repurposes the tropes of Hollywood monster movies to explore young people’s real feelings and fears through an imaginary framework. This fantasy apocalypse becomes a safe space for the children to reflect on adaptation, resilience and an uncertain future.