Whale Fall

Director: Patrick Hough

Year: 2026

Filmmaker Patrick Hough journeys through the haunted landscapes of Ireland, where colonial violence, ecological loss and queer desire remain inscribed in the land. Moving between forests, mountains, archives and cruising grounds, the film traces the extinction of the Irish grey wolf alongside the cultural suppression that followed Cromwellian conquest of Ireland. Fragments of history surface through objects and places: a death mask of Oliver Cromwell, medieval myths of werewolves, maps drawn to measure and divide conquered territory, and landscapes where wolves were once hunted to disappearance. These materials are interwoven with contemporary nocturnal scenes of queer gathering and protest, where shame gives way to transformation, pleasure and resistance. Blending essay film, documentary and poetic fiction, LANDSCAPES OF SHAME asks how violence survives in landscapes, language and bodies - and what forms of wildness still remain. Official Selection BFI London Film Festival 2026

Director: Patrick Hough

Year: 2021

When a researcher uncovers the relations between capitalism and algae, algae and the Earth, the Earth and humans, they begin to understand the origins of our current climate crisis.

Director: Robyn Egan

Year: 2026

Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.