Who's Gonna Love Me Now?
Synopsis
Saar finds himself torn between the two worlds and must make a decision: should he return to Israel and embrace his family once more, or stay in London and live in exile forever. Saar and the rest of the London Gay Men's Chorus provide a glorious soundtrack for this tender, honest and intimate film by acclaimed directors Barak Heymann and Tomer Heymann ('Mr. Gaga', 'Paper Dolls' and 'I Shot My Love'). Shot over several years, this documentary is about the power of forgiveness and the power that home has, no matter how far we go.
Official Selection BFI London Film Festival 2016 - Journey Strand
Details
- Year
- 2016
- Type of project
- Features
- Running time
- 84 mins
- Director
-
Tomer Heymann, Barak Heymann, Alexander Bodin Saphir (co-director)
- Producer
- Tomer Heymann, Barak Heymann, Alexander Bodin Saphir
- Executive Producer
- Ashley Luke, Lizzie Francke
- London Gay Men's Chorus Image
- Courtesy of Todor Krastev
Genre
Categories
Production Status
Production Company
Israel, UK coproduction
Heymann Brothers Film (IL), Breaking Productions (UK)
Breaking Productions
11 Johns MewsLondon
WC1N 2PA
Sales Company
Autlook Filmsales
Salma AbdallaSpittelberggasse 3/14
A-1070 Vienna
Austria
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Stage
Director: Brett Morgen
Year: 2027
An arena-scale cinematic experience built out of long-lost, remastered 35mm footage originally shot by British director David Hemmings. The film features previously unseen concert footage of David Bowie from his 1978 Isolar II World Tour, in support of his landmark 'Heroes' album. Using a three-screen presentation, transparent LED screens and large-scale projections, it is described as an “immersive and sound light experience”. Official Selection Berlin International Film Festival 2027 - World premiere
India's Circularity: Not a Trend, But Tradition from Margins
Director: Purva Tavri
Year: 2026
Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.
A Spirit, a Deity, a Barbarian? Captive in the Subterranean
Director: Hannan Jones
Year: 2025
In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.