WOMEN

Director: Lora Arkhypenko

Year: 2025

Not just a film about war or emigration, but a story about a generation growing up between two worlds, learning to find its place in a new reality while holding on to its roots. It is also a story of a mother’s love - steadfast, nurturing and unwavering - as she stands by her child through uncertainty, offering reassurance, strength and a sense of belonging wherever they go. The sequel to the documentary film WOMEN delves into the lives of Ukrainian children who fled their homeland with their mothers because of the war. Three years have passed since they began adapting to life in the UK. How has the war changed them? What have they lost and what have they gained in their new home? Through the stories of Mariia, Sonya, Manya and Timofii, the film explores how children experience emigration, build new lives, integrate into society and dream about their futures. The film offers insight into the strength of family bonds, cultural identity and the resilience of young minds. The deep connection between mother and child is the heart of this film, showing how love becomes the anchor that helps them navigate life between two worlds.

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.