WOMEN
Synopsis
Through these stories, we see the struggles they faced in a new country, language barriers, and cultural differences. But we also see the beauty of women's spirit, as they find the strength to rebuild their lives no matter what. Their stories are not just about the war, but also about hope and resilience.
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 27 min 49 sec
- Format
- H264 3840x2160
- Director
-
Lora Arkhypenko
- Producer
- Lora Arkhypenko
- Editor
- Andrii Kireev, Oleksandr Legostaev, Vyacheslav Ku
- Director of Photography
- Lora Arkhypenko
Categories
Production Status
Production Company
Lora Arkhypenko
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Children
Director: Lora Arkhypenko
Year: 2025
Not just a film about war or emigration, but a story about a generation growing up between two worlds, learning to find its place in a new reality while holding on to its roots. It is also a story of a mother’s love - steadfast, nurturing and unwavering - as she stands by her child through uncertainty, offering reassurance, strength and a sense of belonging wherever they go. The sequel to the documentary film WOMEN delves into the lives of Ukrainian children who fled their homeland with their mothers because of the war. Three years have passed since they began adapting to life in the UK. How has the war changed them? What have they lost and what have they gained in their new home? Through the stories of Mariia, Sonya, Manya and Timofii, the film explores how children experience emigration, build new lives, integrate into society and dream about their futures. The film offers insight into the strength of family bonds, cultural identity and the resilience of young minds. The deep connection between mother and child is the heart of this film, showing how love becomes the anchor that helps them navigate life between two worlds.
I Want To Kill My Grandfather
Director: Lilyana Torres, Carlos Morales
Year: 2027
When filmmaker Lilyana Torres learns that her grandfather hired hitmen to nearly kill her father, she sets out to confront him in Tamaulipas, Mexico, and force an apology. The attack left her father with cracked ribs, a broken nose, and loose teeth. Its architect was his own father. Like much of Lilyana’s family history, nobody spoke of it again. So she begins planning his murder. In darkly comic fictional reenactments, Lilyana trains for revenge with the help of a retired detective. Some methods are efficient, others grotesque, all adapted to an ageing man. Against these fantasies, family home videos reveal a more unsettling contradiction: birthday parties, tenderness, and a grandfather who once appeared devoted to his son and granddaughter. How could a parent put their own child’s life at risk? Before Lilyana reaches him, her grandfather dies peacefully in bed, taking every explanation with him. Determined to complete the film, she casts an actor named Perfecto to play him and kills him on screen, again and again. But the performance exposes the question she cannot escape: what does revenge actually resolve? Lilyana confronts the possibility that the violence she wants to destroy may already live inside her.
Rehearsals for a Revolution
Director: Pegah Ahangarani
Year: 2026
Through five portraits of relatives and mentors, five expressions of resistance, director Pegah Ahangarani sketches her life story. Drawing from personal archives, home videos, street protests footage, newspapers, and recorded voices, she retraces more than 40 years of Iran’s history. From the early days of 1979, until the war that began in 2026, she pieces together intimate and collective memories, forming the portrait of a country shaped by political repression and in constant hope for a revolution. Official Selection Cannes Film Festival 2026 - Special Screenings Official Selection Telluride Film Festival 2026