WOMEN
Synopsis
Through these stories, we see the struggles they faced in a new country, language barriers, and cultural differences. But we also see the beauty of women's spirit, as they find the strength to rebuild their lives no matter what. Their stories are not just about the war, but also about hope and resilience.
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 27 min 49 sec
- Format
- H264 3840x2160
- Director
-
Lora Arkhypenko
- Producer
- Lora Arkhypenko
- Editor
- Andrii Kireev, Oleksandr Legostaev, Vyacheslav Ku
- Director of Photography
- Lora Arkhypenko
Categories
Production Status
Production Company
Lora Arkhypenko
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
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Children
Director: Lora Arkhypenko
Year: 2025
Not just a film about war or emigration, but a story about a generation growing up between two worlds, learning to find its place in a new reality while holding on to its roots. It is also a story of a mother’s love - steadfast, nurturing and unwavering - as she stands by her child through uncertainty, offering reassurance, strength and a sense of belonging wherever they go. The sequel to the documentary film WOMEN delves into the lives of Ukrainian children who fled their homeland with their mothers because of the war. Three years have passed since they began adapting to life in the UK. How has the war changed them? What have they lost and what have they gained in their new home? Through the stories of Mariia, Sonya, Manya and Timofii, the film explores how children experience emigration, build new lives, integrate into society and dream about their futures. The film offers insight into the strength of family bonds, cultural identity and the resilience of young minds. The deep connection between mother and child is the heart of this film, showing how love becomes the anchor that helps them navigate life between two worlds.
Spacewoman
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Year: 2024
A landmark feature documentary about astronaut Eileen Collins, the first woman to pilot and command the Space Shuttle. Eileen’s incredible journey starts with her smalltown beginnings, sees her smash through many glass ceilings, and culminates in four dramatic space shuttle missions, the last being possibly the most dangerous and most important of them all. At its heart the film is the moving human drama of one family, where a mother’s extraordinary career takes us straight to the big philosophical question of what is the level of acceptable risk in human endeavour? This film celebrates Commander Collins’ trailblazing NASA career which opened the way for women to become spacecraft pilots and commanders, and proved a perfect riposte to a previous generation of male astronauts who thought there was no place for women to lead the way in space. Official Selection DOC NYC 2024 - World premiere Official Selection CPH:DOX 2025 - European premiere
As Time Swallows Time
Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks
Year: 2025
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.