Project Detail

Women Make Film: A New Road Movie Through Cinema

Synopsis

As told through clips from 183 female directors, this epic revisionist history of the cinema focuses on women’s integral role in the development of film art.
Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.
Official Selection Toronto International Film Festival 2018 - TIFF Docs - World premiere

Details

Year
2019
Type of project
Features
Running time
840 mins
Director
Mark Cousins
Producer
John Archer
Executive Producer
Tilda Swinton, Clara Glynn
Editor
Timo Langer
Screenwriter
Mark Cousins
Sound
Becky Thompson
Composer
Germaine Tailleferre, Suite Burlesque, Clinton-Narboni Duo

Categories

Production Status

Production Company

A Dogwoof Hopscotch Films production

Hopscotch Films

John Archer
Film City Glasgow
401 Govan Road
Glasgow
G51 2QJ

Sales Company

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See also

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Year: 2026

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Cinema Has Been My True Love Cinema Has Been My True Love

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Year: 2023

Cinema Has Been My True Love: The Work and Times of Lynda Myles In Mark Cousins’ meditative documentary, Lynda Myles, an influential connoisseur of cinema, reflects on her adventures in the film culture she helped establish. From 1973 to 1980, as the first female director of any festival, Myles transformed the Edinburgh Film Festival into a vibrant, iconoclastic mecca of discovery, championing the work of overlooked auteurs including Hitchcock, Sirk and Sam Fuller. Official selection Telluride Film Festival 2023 - World premiere

A Sudden Glimpse to Deeper Things A Sudden Glimpse to Deeper Things

Director: Mark Cousins

Year: 2024

A creative biography of the Scottish artist Wilhelmina Barns-Graham. One of the most important women in British modern art, the painter Wilhelmina Barns-Graham was a highly inspirational figure, whose work was deeply impacted by a pivotal event in her life. In May 1949, this leading representative of the modernist St. Ives group of artists climbed to the top of the Grindelwald glacier in Switzerland, an experience which was to transform the way she saw the world. She spent the rest of her life capturing its shapes and colours, indeed its very essence. In his essayistic portrait Cousins delves into complex themes of gender, climate change and creativity, while laying bare the artist’s character and vast imagination so pervasively that he creates the impression we are seeing the world through her eyes. Official Selection Karlovy Vary International Film Festival 2024 - World premiere Official Selection Edinburgh International Film Festival 2024