Project Detail

You Could Sunbathe in this Storm

Synopsis

Space, forms, colours and sounds symbolise a recognisable world.
Do we shape as much as we are shaped?

Details

Year
2014
Type of project
Shorts
Running time
6 mins
Format
Digital
Director
Alice Dunseath
Producer
Alice Dunseath
Editor
Alice Dunseath
Screenwriter
Alice Dunseath
Director of Photography
Alice Dunseath
Production Designer
Alice Dunseath
Sound
Mike Wyeld
Composer
Jake Chudnow, Lucy Railton
Principal cast
Tony Fish
Animator
Luke George, Tom O'Meara

Production Status

Production Company

Royal College of Art, London

Sales Company

Alice Dunseath

E: alicedunseath@gmail.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Hunting for Hockney Hunting for Hockney

Director: Alice Dunseath

Year: 2013

To escape from the realities of bereavement, two friends travel across Yorkshire to look for David Hockney. Grief toys with their senses and heightens their need for adventure. The style references the work of Hockney.

You Could Sunbathe In This Storm You Could Sunbathe In This Storm

Director: Alice Dunseath

Year: 2014

Space, forms, colours and sounds symbolise a recognisable world. Do we shape as much as we are shaped? Do new beginnings put an end to familiar patterns?

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026